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Harry Pepl * 1945  † 2005

Press archive

What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.

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  1. 17 December 1988 · Review · DE

    Eßlinger Zeitung (weekend edition): „Perkussives“ (Joos, Pepl und Oxley)

    Christa Wörner

    Review of the year-end concert of the series “Jazz in der Dieselstraße” with Herbert Joos, Harry Pepl and Tony Oxley: catchy melodies and folk-song-like passages frame abstract structures, played with and against the electronics. By way of his guitar, Pepl also plays trumpet and piano and manages a drum solo on the guitar; Joos recalls Chet Baker, and Oxley shapes the European character of the music.

    European jazz? The trio of Herbert Joos, Harry Pepl and Tony Oxley provided an example of it.

    In this way Pepl managed to play a dazzling drum solo on the guitar.

  2. 15 December 1988 · Review · DE

    Stuttgarter Zeitung: „Jazz im Zauberspiegel“ (Dieselstraße: Joos-Pepl-Oxley)

    lind

    Concert review of the trio of Herbert Joos, Harry Pepl and Tony Oxley at the Dieselstraße culture and communication centre in Esslingen. The author begins with critical questions about volume, the playback tape and hidden themes and then describes a bewildering game of free jazz and balladic romanticism, in which the audience accepted Pepl’s guitar synthesiser as an enrichment; he refers to the record “Cracked Mirrors”.

    accepted Harry Pepl’s guitar synthesiser as an imaginative enrichment of the sound

    in a piece like “Schikaneders Delight” there was also quite definitely a Mozartean cheerfulness at play.

  3. 27 August 1988 · Other

    Music Week (British music trade magazine): „New Albums“ (Neuerscheinungen vom 30. August bis 2. September 1988)

    The new-release list of the British music trade magazine includes “Cracked Mirrors” by Harry Pepl, Herbert Joos (printed “Joss”) and Jon Christensen for the week beginning Tuesday, 30 August 1988, as a jazz album on ECM/New Note, LP ECM 1356, CD 833 472-2. It is a trade listing of the British release, not a review.

    PEPL, Harry/Herbert JOSS/Jón CHRISTENSEN CRACKED MIRRORS ECM/New Note ECM 1356/8334722"CD"

    Entry in the “New Albums” list of the British music trade magazine Music Week for the week of 30 August to 2 September 1988: British release of “Cracked Mirrors” on ECM/New Note, LP ECM 1356, CD 833 472-2. “JOSS” and “Jón” as printed, meaning Herbert Joos and Jon Christensen; a listing, not a review

  4. May 1988 · Press release · DE

    ECM Records, Munich (press release): Harry Pepl / Herbert Joos / Jon Christensen: „Cracked Mirrors“

    ECM Records

    Two-page press information from the label on the album (ECM 1356, CD 833 472-2, LP 833 472-1), with the line-up: Pepl on guitar, Roland MIDI guitar system and piano, Joos on flugelhorn, Christensen on drums. The text describes the album as a sequence of broken genres, from parodied pianistic bliss and alienated Alpine folk music to free jazz in the spirit of Ornette Coleman, and emphasises the evidently meaningful use of electronics.

    three musicians meet who are able to improvise with a great deal of sensuality and warmth even in advanced playing techniques.

    This album certainly runs completely against the wind of the zeitgeist.