Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
Filters active
14 entries filtered · CSV of the filtered entries
Newest first · Oldest first
-
28 December 1994 · Report · DE
APA-Basisdienst (Austria Presse Agentur), Rubrik APA JAZZ NEWS: „Jazz-Splitter“
initials „hmf/gg“
Short report: for his band Abstract Truth the trombonist Paul Zauner has recruited John Purcell, Kenny Davis, Ronnie Burrage and Harry Pepl; the album “Beginnings” ranges from fusion to avant-garde.
The result, from fusion to avant-garde: “Beginnings”.
-
24 December 1994 · Report · DE
Salzburger Nachrichten (p. 7): „Österreichs Jazz hält seine Freunde auf Trab“
Wolfgang Lamprecht
Annual review of Austrian jazz in 1994, covering Porgy & Bess (Vienna jazz club), labels and CD productions. Pepl appears only in a subordinate clause: the author names “N.Y.C. impressure” his jazz album of the year.
the (for the author of these lines) Austrian jazz album of the year, “N.Y.C. impressure”, by and with Harry Pepl
-
28 July 1994 · Portrait · DE
Neue Kronen-Zeitung (Styria edition, p. 22): „Rastloser Grenzgänger“
Bernd Schmidt
Short portrait on the CD “N.Y.C. Im-Pressure” with Claus Stötter, Paul Nowinski and Jojo Mayer. Pepl explains his Real-time Composing, mentions projects with Günter Meinhart and STUDIO PERCUSSION and talks about his studio in Hernstein.
Versatility is as much a part of Pepl as his turn to different (compositional) techniques.
In doing so, while playing the instrument, I record what is present in my consciousness during the creative process.
In 1994, on his Real-time Composing, in a portrait in the Kronen Zeitung, Austria’s largest-circulation daily
Harry Pepl
He remains a crosser of borders, this Harry Pepl.
only influenced by the New York street noises, by the loud life in this gigantic city.
On how his album “N.Y.C. Impressure” came about, 1994
Harry Pepl
-
26 July 1994 · Report · DE
Kronen Zeitung (p. 18): „Musikalischer Grenzgänger lehrt an ‚NÖ Jazzakademie‘“
initials „D. S.“
Preview of the sixth Lower Austrian Jazz Academy at Zeillern Castle (31 July to 6 August 1994), a further-training seminar for aspiring professional musicians. Pepl is introduced as the most prominent teacher; with his quartet he plays the opening concert on Sunday, 31 July, at 9 pm.
Guitarist and composer Harry Pepl is regarded as a musical border-crosser and has played with jazz greats such as Benny Goodman, Dave Holland, Dave Liebman and Jack DeJohnette.
The top-class musician will also play the opening concert with his quartet on 31 July from 9 p.m.
-
27 May 1994 · Review · DE
Der Standard: „Der Groove-Professor gibt sich recht unberechenbar“
Ljubiša Tošić
Record review of “N.Y.C. Impressure”: the funky rhythm section plays flat out, and after years dominated by play with sound, Pepl’s guitar is again recognisable as a guitar sound, with the MIDI guitar serving only as an atmospheric addition. Tošić hears a groovy affair with a rock-style distorted tone and highly individual phrasing; sound quality very good.
On N.Y.C. Impressure his guitar sound is once again recognisable as such.
Of course his phrasing is once again highly individual, which means: appealing and pleasantly unpredictable.
And so it may well happen that the guitar professor shines with a rock-distorted sound.
-
26 May 1994 · Review · DE
Salzburger Nachrichten (p. 8): „Neue Symptome einer Krankheit“ (Das Jazzfestival in Raab ist als „Innviertler Jazzfestival“ wiederauferstanden)
Wolfgang Lamprecht
Review of the first Innviertel jazz festival, which Paul Zauner continued with his own association after the end of the association Kunst und Kultur Raab. Lamprecht highlights Jack DeJohnette, who appeared above all as a pianist and played an intimate duo with Pepl on drums.
as a kindred-spirited improviser on drums in a thrillingly intimate dialogue with the string electronics player and creative sound colourist Harry Pepl
-
24 May 1994 · Review · DE
Der Standard (p. 10): „Zwischen Räucherstäbchen-Blues und festlicher Marching-Band-Tarnung“
Ljubiša Tošić
Festival review from Raab with Dr. John, Ray Anderson and the Dirty Dozen Brass Band. Beyond the nostalgic acts, Tošić singles out the live session of Jack DeJohnette (drums and piano) and Harry Pepl.
Drummer and pianist Jack DeJohnette and guitarist Harry Pepl, for instance, gave a live session there.
after all, there were moments of intensity that one would not have wanted to miss on any account
-
24 May 1994 · Review · DE
Kronen Zeitung (p. 17): Kurzkritik vom Innviertler Jazzfestival in Raab
initials „CT“ (vermutlich Chris Thommark)
Report from the third day (Sunday, 22 May 1994) of the Innviertel jazz festival in the Rothuberhalle in Raab: Jack DeJohnette spontaneously joins Idris Muhammad’s Afro Beat and later plays a duo with Pepl, who holds dialogues on guitar synthesizer with DeJohnette on piano and drums.
Alternating between piano and drums, he engaged in dialogues with Harry Pepl on guitar synthesizer.
These were sound meditations between expansive and concentrated, in lyrical solitude and orchestral fullness of sound.
Kürzel CT (vermutlich Chris Thommark)
-
7 May 1994 · Review · DE
Salzburger Nachrichten: „Verständigungen über den Gartenzaun“ (Jazz-Gitarristen: Harry Pepls Comeback, Ray Cooder, Doctor Blocher, Bill Frisell)
Wolfgang Gratzer
Short review of the new album: the reviewer writes that Pepl, one of the continent’s most individual guitarists, is stepping out of his seclusion with his quartet recorded in New York (Claus Stöttner, Paul Nowinski, Jojo Mayer). Thanks to cleverly pre-planned pieces and compelling solos, the author counts the record among the most exciting things produced in Austria in recent years.
The Viennese Harry Pepl, who counts among the most distinctive guitarists on the continent
is among the most exciting things produced in this country in recent years.
recorded an album which, thanks to its so cleverly conceived tracks, ploughed through with compelling solos, ranks among the most exciting things produced in this country in recent years.
-
20 April 1994 · Other · DE
Österreichische Mediathek, Katalog (online): „Harry Pepl Quartet 20.04.1994 (1)“ (unveröffentlichte Aufnahme)
The Österreichische Mediathek (Austrian Mediathek), Austria’s archive of sound and video recordings at the Technisches Museum Wien, lists an unreleased recording of the Harry Pepl Quartet of Wednesday, 20 April 1994, recorded at the Orpheum in Graz, Austria, that is, at the concert of the Graz Meeting “Strings”. It is on compact cassette (shelf mark 6-69528) and can only be heard on site at the Mediathek in Vienna. The catalogue names only Harry Pepl (guitar); according to the Austrian news agency APA, the quartet played with Wolfgang Puschnig.
-
16 February 1994 · Report · DE
APA-Basisdienst (Austria Presse Agentur): „‚Strings‘ - Ein Jazzfestival der Saiten“
initials „hmf/gg“
Programme presentation of the Graz jazz festival “Graz Meeting ’94” (19 to 21 April 1994, Orpheum) on the theme of string instruments, with Joe Pass, John Abercrombie, Bill Frisell, Derek Bailey, the String Trio of New York, Wolfgang Muthspiel and the trio Kühn, Jenny-Clark, Humair. Pepl plays in a quartet with Wolfgang Puschnig.
Nor must one of the most experimental and versatile Austrian jazz guitarists be missing: Harry Pepl
Austria Presse Agentur
-
1994 · Radio · DE
Ö1, „Aus dem Konzertsaal“ (live recording, in der Österreichischen Mediathek): „Aus dem Konzertsaal: Graz Meeting 1994 (2)“
Jörg-Martin Willnauer (presenting)
Jazz broadcast by Ö1, ORF’s cultural radio station, from the Graz Meeting 1994, featuring among others the Harry Pepl Quartet according to the catalogue of the Österreichische Mediathek (Austrian Mediathek), and presented by Jörg-Martin Willnauer. The recording is on compact cassette (shelf mark 6-69955) and can only be heard on site at the Mediathek in Vienna; the catalogue does not give the broadcast date. The quartet played at the Graz Meeting on Wednesday, 20 April 1994, at the Orpheum in Graz, Austria.
-
1994 · Review · DE
Buchkultur (Vienna): Musiktipp „Harry Pepl Quartet: N. Y. C. imPressure“
The Viennese magazine Buchkultur recommends the album “N.Y.C. Impressure” by the Harry Pepl Quartet: recorded after a concert in New York City, it conveys the impressions of the four musicians. The tip appears next to new releases by the Austrian singer-songwriter Hans Söllner and the band Hole.
-
1994 · Review · DE
magazine (title not preserved), record review: Harry Pepl Quartet: „N.Y.C. Impressure“
Record review of “N.Y.C. Impressure” (Extraplatte (Vienna independent label) EX 203-2, recorded 6/92 at the Active Recording Studio, New York): according to the review, Pepl, a native of Lower Austria, has been experimenting with the MIDI guitar for years, and his new hobbyhorse is real-time composing. The album is said to reflect the mood, colours and rhythmic density of New York, realised with Claus Stötter, Paul Nowinski and Jojo Mayer. Rating (8).
The Lower Austrian Harry Pepl loves the battle with “Bits and Bytes”.
His latest hobby-horse goes by the name of “real-time-composing”.