Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
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1991 · Portrait · DE
Kulturpreis des Landes Niederösterreich (Broschüre 1991, Preisträgerdatenbank): „Spontane Klangerlebnisse“ (Anerkennungspreis 1991, Sparte Musik)
Tribute text from the 1991 culture prize brochure on the Lower Austrian Recognition Prize in the music category, now online in the state's database of prizewinners. It presents Pepl as a professor in Graz and a composer in demand: a piece for the internationally renowned Kronos Quartet is about to be premiered in Graz in the autumn of 1991, another for the Artis Quartet is planned. For two years he has been composing with his “instant” or “real-time composing”. Pepl admires Mozart, Schoenberg's piano works and Giacinto Scelsi, and has analysed the rhythmic precision of a Bach recording by Glenn Gould on his computer. The text also mentions his two years at Gerhard Bronner's “Fledermaus” bar, the ORF Big Band (ORF: Austria's public broadcaster), several wins in the Jazz Live readers' poll and Le Monde calling him a “giant of improvisation”.
It is hard to place Harry Pepl anywhere musically, and strictly speaking it is not even necessary.
Pepl, and he leaves no doubt about this in this conversation either, is a musician of the moment.
the leading French newspaper Le Monde crowned him, without further ado, a “giant of improvisation”
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28 July 1994 · Portrait · DE
Neue Kronen-Zeitung (Styria edition, p. 22): „Rastloser Grenzgänger“
Bernd Schmidt
Short portrait on the CD “N.Y.C. Im-Pressure” with Claus Stötter, Paul Nowinski and Jojo Mayer. Pepl explains his Real-time Composing, mentions projects with Günter Meinhart and STUDIO PERCUSSION and talks about his studio in Hernstein.
Versatility is as much a part of Pepl as his turn to different (compositional) techniques.
In doing so, while playing the instrument, I record what is present in my consciousness during the creative process.
In 1994, on his Real-time Composing, in a portrait in the Kronen Zeitung, Austria’s largest-circulation daily
Harry Pepl
He remains a crosser of borders, this Harry Pepl.
only influenced by the New York street noises, by the loud life in this gigantic city.
On how his album “N.Y.C. Impressure” came about, 1994
Harry Pepl
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30 July 1999 · Portrait · DE
Wiener Zeitung (p. 915, Ressort Extra): „Die Kraft der Statik“
Christian Rösner
Portrait of the guitarist Martin Siewert (born 1972 in Saarbrücken) before his appearance at the Saalfelden jazz festival. According to the article, Siewert was taught by Harry Pepl at the jazz department of the Graz music academy (today the University of Music and Performing Arts Graz) from 1992 to 1997.
from 1992 to 1997 he was taught by Harry Pepl in the jazz department of the Graz University of Music
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25 August 1999 · Portrait · DE
Falter (p. 53): „Wenn Gitarren schreien“
Klaus Taschwer (Mitarbeit: Carsten Fastner)
Portrait of Martin Siewert, one of the outstanding musicians of the young Austrian improvisation scene. After laborious years of study, it was his encounter with Pepl, with whom he then studied in Graz, that brought the turning point.
No idea what would have become of me if I hadn’t met Harry.
Martin Siewert