Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
Filters active
12 entries filtered · CSV of the filtered entries
Newest first · Oldest first
-
22 December 2019 · Report · IT
Tracce di Jazz (Blog): „L’AVVOCATO DEL DIAVOLO…..“
milton56
Reply on the same Italian jazz blog to the review of “Volver” published on Wednesday, 18 December 2019. Taking the part of the “devil’s advocate”, as the title has it, the author milton56 sets against his colleague’s enthusiasm the story of how the album came about, as he had heard it about a month earlier from the Italian trumpeter Enrico Rava himself. He explicitly retells it from memory: a second-hand recollection, not a studio log. According to this account, the 1986 session was slow to get going because the Argentine bandoneon player Dino Saluzzi and the American drummer Bruce Ditmas had very different ideas about accompaniment and volume, and Rava mediated. In a deadlocked silence Harry Pepl is said to have struck a chord at random, just to break the silence. The producer Manfred Eicher, founder of the renowned European jazz label ECM, came into the studio full of enthusiasm and saw in it the starting point from which the band could at last develop something; Pepl himself could not even vaguely remember the chord. Rava, according to this recollection, described the work on the record as laborious. The author concludes that the album nevertheless found its way to listeners.
The guitarist Pepl strikes a chord at random, just to break the icy silence.
From a story told by Enrico Rava about the stalled recording session for “Volver” in 1986, explicitly retold from memory by the blogger milton56; a second-hand recollection
As if on purpose, the Austrian cannot even vaguely remember what had come out of his instrument by chance……
Punchline of the same story: the producer Manfred Eicher had seen in Pepl’s chance chord the starting point for the recording; a second-hand recollection
-
10 October 2017 · Report · DE
Ö1 (oe1.orf.at, article): „Der Gratwanderer Werner Pirchner“
Article on Werner Pirchner for the tenth anniversary of his death, shown on the page with the date 10 October 2017 but referring in the text to 10 August 2011. It names the Jazz-Zwio with Harry Pepl as a stage that also made Pirchner known in the international jazz scene; the focus is on Pirchner.
together with Harry Pepl in the legendary JazzZwio
-
20 September 2017 · Report · DE
Ö1 (oe1.orf.at, article): „Der Musiker Werner Pirchner“
Short portrait of Werner Pirchner (13 February 1940 to 10 August 2001) as a jazz musician and composer. It lists the Pirchner-Pepl-JazzZwio, founded in 1975, with its appearances until the mid-1980s, among others in Velden, Montreux and Saalfelden; the focus is on Pirchner.
With the guitarist Harry Pepl he founded the Pirchner-Pepl-JazzZwio in 1975
-
8 April 2017 · Report · DE
Ö1 (oe1.orf.at, article): „Pirchner und Pepl“ (Muthspiel Trio spielt „Against the Wind“)
Haide Tenner (Gesprächspartnerin)
Item on the CD “Against the Wind”, on which the Christian Muthspiel Trio plays works by Harry Pepl and Werner Pirchner. In conversation with Haide Tenner on the “Klassik-Treffpunkt”, Muthspiel tells how the CD came about out of the commemoration of Pirchner and the programme “Pepl/Pirchner”.
The musicians play works by the composers Harry Pepl and Werner Pirchner, who died early.
-
16 May 2016 · Report · DE
Die Presse (Online): „Resch, renitent: Der Sound des Sauwalds“
Samir H. Köck
Report on the 30th anniversary of the Inntöne festival in Diersbach. It also describes the performance of the homage to Harry Pepl, in which fragments of Pepl’s recordings were played in and which not everyone liked.
an artistic high-wire act in which fragments of Pepl’s recordings were also played in
-
12 May 2016 · Report · DE
Der Standard (Online): „Inntöne-Festival: Session mit der Historie“
Preview of the INNtöne festival (jazz festival in Diersbach, Upper Austria). The saxophonist Clemens Salesny, the guitarist Martin Bayer, the drummer Peter Primus Frosch and the singer Agnes Heginger interpret pieces by Harry Pepl on the Saturday, improvise on them and respond to recordings that Pepl improvised for his Lonely Single Swinger Band: guitar, synthesizer, piano, vocals and drums, all recorded by himself at home. Der Standard calls this a formidable example of an engagement with history that yields “delicate results”.
There are, however, ways of engaging with history that yield delicate results. A formidable example can be experienced on Saturday at the Inntöne festival in Diersbach (which begins on Friday), when sounds by the guitarist Harry Pepl (who died in 2005) also ring out from the stage.
Guitar, synthesizer, piano, vocals, drums: Pepl once recorded everything himself at home.
Clemens Salesny, Martin Bayer, Peter Primus Frosch and Agnes Heginger interpret Harry Pepl
-
24 December 2015 · Report · DE
NÖN (Online, Hollabrunn): „Viola Falb, die erste Frau im Jazz“
Report on the saxophonist and composer Viola Falb from the Hollabrunn district in Lower Austria: at the opening of this year's Austrian Soundcheck (festival in Graz) in Graz, Austria, she received the fifth Harry Pepl Prize, endowed with 4,000 euros. The laudatory speaker Ute Pinter highlighted her cross-border compositions and band projects, entirely in the spirit of the musical patron Harry Pepl. Printed in the edition of 23 December 2015, p. 6.
Viola Falb, the district's exceptional artist, received the 5th Harry Pepl Prize in Graz.
entirely in the spirit of the musical patron Harry Pepl
-
18 November 2015 · Report · DE
Falter 47/2015 (Rubrik Steiermark): „Steiermark kurz“
Short news from Styria. One item reports that the Harry Pepl Prize, endowed with 5,000 euros, went to the composer and saxophonist Viola Falb at the Austria Soundcheck (festival in Graz).
the Harry Pepl Prize to the composer and saxophonist Viola Falb
-
31 August 2015 · Report · DE
Die Presse (Online): „Saalfelden: Schmerz an der Heimat, Störung der Jazz-Idylle“
Samir H. Köck
Festival report from Jazzfest Saalfelden 2015 (major jazz festival in the Salzburg region). The festival recalled Werner Pirchner’s 75th birthday and also commemorated the guitarist Harry Pepl, who died in 2005.
And he also remembered the guitarist Harry Pepl, who died in 2005 and formed the Jazzzwio with Pirchner, whose sophisticated musical language was praised internationally as well.
-
26 March 2014 · Report · DE
Falter 13/2014 (arts section): „Erinnerungen an Werner Pirchner, den Frank Zappa aus Hall in Tirol“
Klaus Nüchtern
Review of the film “D.U.D.A.!” by Werner Ludin about Werner Pirchner. The text mentions Pirchner’s collaboration with the guitarist Harry Pepl, through which he became an internationally sought-after jazz virtuoso; the focus is on Pirchner.
Through his collaboration with the guitarist Harry Pepl he rose to become an internationally sought-after jazz virtuoso
-
25 November 2013 · Report · DE
mica music austria: „Clemens Salesny erhält den Harry Pepl Preis“
News item on the fourth presentation of the Harry Pepl Prize at the Austrian Soundcheck (festival in Graz) in Graz: the encouragement prize went in 2013 to the alto saxophonist Clemens Salesny. The article briefly introduces Salesny and his projects.
This year the Harry Pepl Prize was awarded for the fourth time as part of the “Austrian Soundcheck” in Graz.
-
17 September 2010 · Report · DE
mica music austria: „STUDIO FAN, das Abonnementprogramm des Ensembles Studio Dan“
Presentation of the subscription series of the Viennese ensemble Studio Dan with a short biography of its leader Daniel Riegler. For 2008 it lists his leadership of the Porgy & Bess (Vienna jazz club) stage band and the Harry Pepl Prize 2008.