Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
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18 December 2025 · Review · DE
Kronen Zeitung (p. 42, culture): „Die Schemen eines Lebenden“ (Stockwerk Graz: Harry Pepl's Lonely Single Swinger Band blinzelt ins Jenseits)
F. Jureček
Concert review of the performance in Graz: a quintet around Clemens Salesny and the sound engineer Markus Wallner shapes an evening of improvisation from multitrack recordings by the guitarist, who died in 2005. Pepl’s audio tracks are heard as sounds dynamically processed at the mixing desk, with Andi Schreiber, Martin Bayer and Valentin Duit playing along.
Archive material gives rise to the shadowy outlines of a living man.
Not many musicians release new CDs 20 years after their death.
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18 December 2025 · Review · DE
Kleine Zeitung (p. 51, culture, column „Open Music im Grazer Stockwerk“): „Im Spiel mit der Wiener Gitarristenlegende“
Robert Tendl
Report on the evening by Harry Pepl (tape) & The (Lonely) Single Swinger Band at the Stockwerk in Graz. Pepl left behind a great deal of material from his home studio; Salesny, Bayer, Schreiber, Duit and the technician Markus Wallner bring the audio tracks onto the stage via amplifier and loudspeakers and improvise along with them.
A surprisingly lively, highly musical result emerges
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27 September 2025 · Review · DE
RONDO (Online): „Songs From The Treehouse“ (Tim Collins, Martin Gasselsberger)
Werner Stiefele
Review of the duo album by vibraphonist Tim Collins and pianist Martin Gasselsberger on GLM Music. Apart from Billie Eilish's “Everything I Wanted” and “Air, Love & Vitamins” from the repertoire of the Jazzzwio of Harry Pepl and Werner Pirchner, the duo plays its own pieces; the reviewer places the line-up in the tradition of Gary Burton and Chick Corea.
“Air, Love & Vitamins” from the repertoire of the Austrian JazzZwio of Harry Pepl and Werner Pirchner
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20 November 2024 · Review · DE
NÖN Niederösterreichische Nachrichten (p. 16): „Flip Philipp ließ die Schlägel tanzen“
Short report on the Freiraum concert at the Seidl-Keller in Bruck an der Leitha on Thursday, 14 November 2024: Flip Philipp (vibraphone) played music by Werner Pirchner and Harry Pepl with Bertl Mayer (harmonica), Tobias Faulhammer (guitar), Pista Bartus (bass) and Klemens Marktl (drums).
brought along the music of the Tyrolean vibraphonist Werner Pirchner and of the exceptional guitarist Harry Pepl
At times the audience listened in complete silence
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9 June 2024 · Review
Instagram (@ecm_vinylcollector): „Cracked Mirrors“ (Pepl/Joos/Christensen, ECM 1356)
Short review of “Cracked Mirrors” on the Instagram account of an ECM (the renowned European jazz label) collector. The album, it says, is the most idiosyncratic of the ECM records of its time and hard to classify; Pepl breaks the material into a thousand pieces.
If you're Harry Pepl, you bust it into a thousand pieces and shoot it into the ether.
Cracked Mirrors … is easily the oddest of the bunch, a nearly unclassifiable record.
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9 November 2021 · Review · FR
Jazz Magazine (online): „Nevers assis le matin, debout le soir“
Franck Bergerot
Festival report by Franck Bergerot in Jazz Magazine, the French jazz magazine, from the D'Jazz Nevers festival (Burgundy, France). The duo of Franck Tortiller (vibraphone) and Misja Fitzgerald-Michel (guitar) played its programme “Les heures propices”, songs by the singer-songwriters of the 1960s and 1970s, at noon on a Monday, probably on 8 November 2021. It included a piece by Harry Pepl, whom Bergerot honours as “the late Austrian jazz guitarist” who knew that melodic freshness and harmonic candour.
a borrowing from the late Austrian jazz guitarist Harry Pepl (who knew that melodic freshness, that harmonic candour and its disarming anachronisms)
The French jazz critic Franck Bergerot on a piece by Pepl in “Les heures propices”, the programme of the duo Franck Tortiller and Misja Fitzgerald-Michel (songs by the singer-songwriters of the 1960s and 1970s), at the D'Jazz Nevers festival in Nevers, France, in 2021
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4 October 2021 · Review · FR
Citizen Jazz: „Les Arches en jazz, une première“
Marie Boisnel
Report by Marie Boisnel in Citizen Jazz (French jazz magazine) on the first “Les Arches en Jazz” festival in Port-Bail-sur-Mer (Cotentin, Normandy, France). At the midday concert in the church of Notre-Dame, the duo Franck Tortiller and Misja Fitzgerald Michel played “Air, Love and Vitamins”, Pepl’s “gentle ballad” written for the same duo of guitar and vibraphone with Werner Pirchner.
Then the gentle ballad by the Austrian guitarist and composer Harry Pepl, written for the same duo with Werner Pirchner, guitar and vibraphone, “Air, love and vitamins”, plunges us into a languorous meditation.
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3 October 2021 · Review · FR
CultureJazz: „13 arches... en jazz, ça porte bonheur ?“
Thierry Giard
Festival report by Thierry Giard (photos Christian Ducasse) in CultureJazz (French jazz magazine) on “Les Arches en Jazz” 2021. At the concert by Franck Tortiller and Misja Fitzgerald-Michel on Saturday, 25 September 2021, at noon in the church of Notre-Dame in Port-Bail-sur-Mer, the programme included compositions by Harry Pepl, Jim Pepper, David Crosby and Thelonious Monk alongside their own pieces. Giard had already heard the duo on 31 July 2021 in Rambaud (Hautes-Alpes).
On the menu that lunchtime were original compositions but also pieces by the Austrian guitarist Harry Pepl, the Native American saxophonist Jim Pepper, David Crosby and Thelonious Monk.
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2 August 2021 · Review · FR
Le Dauphiné Libéré (im Tätigkeitsbericht 2021 des Festival de Chaillol): „Festival de Chaillol: le duo Tortiller et Fitzgerald-Michel très applaudi“
Report by Le Dauphiné Libéré (regional newspaper of the French Alps) on the concert of the duo Franck Tortiller (vibraphone) and Misja Fitzgerald-Michel (guitar) at the 25th Festival de Chaillol on Saturday, 31 July 2021, in a packed community hall in the Serre-Ponçon: Val d’Avance area (Hautes-Alpes, France). Besides Tortiller’s “On ne danse qu’une seule fois” and Monk’s “Bemsha Swing”, the duo played a piece by the “Austrian composer Harry Pepl”. Preserved in the festival’s 2021 activity report, pp. 55 to 56.
classics such as Thelonious Monk’s “Bemsha Swing”, or another by the Austrian composer Harry Pepl.
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6 April 2021 · Review · DE
Wiener Zeitung (p. 18, arts section): „Gegengift zum Corona-Blues“
Christoph Irrgeher
CD review of an album by the Schwarzenberg Trio with piano trios by Beethoven, Mendelssohn Bartholdy and Werner Pirchner. Irrgeher introduces Pirchner as the vibraphonist who shook up the jazz world with Harry Pepl, as far as the Montreux festival, and discusses his trio “Heimat?”. The online version appeared on wienerzeitung.at on 5 April 2021.
As a vibraphonist he shook up the jazz world together with the guitarist Harry Pepl (as far as the Montreux festival)