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Harry Pepl * 1945  † 2005

Press archive

What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.

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  1. 27 September 2025 · Review · DE

    RONDO (Online): „Songs From The Treehouse“ (Tim Collins, Martin Gasselsberger)

    Werner Stiefele

    Review of the duo album by vibraphonist Tim Collins and pianist Martin Gasselsberger on GLM Music. Apart from Billie Eilish's “Everything I Wanted” and “Air, Love & Vitamins” from the repertoire of the Jazzzwio of Harry Pepl and Werner Pirchner, the duo plays its own pieces; the reviewer places the line-up in the tradition of Gary Burton and Chick Corea.

    “Air, Love & Vitamins” from the repertoire of the Austrian JazzZwio of Harry Pepl and Werner Pirchner

  2. 6 March 2009 · Review · DE

    Der Standard (Print 6 March 2009, online 5 March 2009, Rubrik Musikrundschau): „Zwio und Trio“ (Neue Jazz-Alben von Werner Pirchner & Harry Pepl, Pablo Milanes & Chucho Valdes u. a.)

    “Musikrundschau” (music roundup) with a short review of “Jazzzwio: Live in Concerts” (Universal): according to the text, Pirchner and Pepl are worth remembering, the duo of guitar and vibraphone having supplied model examples of heated chamber music. The DVD is called a must. The date, 13 February 2009, is derived from the article number.

    Harry Pepl, a complex guitarist of truly international stature

    The creative fury, the intensity achieved there still seems to set the standard today.

  3. 24 February 2009 · Review · DE

    KULTUR, Zeitschrift für Kultur und Gesellschaft (Dornbirn): „JazzZwio: Live in Concerts“ (CD-Tipp)

    Peter Füssl

    CD recommendation by Peter Füssl in KULTUR, a cultural magazine from Vorarlberg, Austria, for the CD/DVD “Live in Concerts” (Universal, 2009). Füssl recalls the legendary JazzZwio of Pepl and Werner Pirchner between 1977 and 1985 and describes the contents: 43 minutes from the 15th Montreux Jazz Festival (Switzerland) in 1981 and excerpts from concerts at the Szene Wien in Vienna (1983) and the Konservatoriumssaal in Innsbruck, Austria (1984), with pieces such as “The Day We Know Paul Desmond is Gone”, “Against The Wind”, “Hosent’Raga” and “Air Love And Vitamins”. He calls the two “absolute individualists” whose interplay adds up to far more than the sum of its parts, notes that so far mainly the Muthspiel brothers (the Austrian jazz musicians Christian and Wolfgang Muthspiel) have kept their memory alive, and hopes the recordings will bring the Jazzzwio wider recognition, above all among younger musicians.

    Great moments of brilliantly offbeat music and gnarled humour

    the playful wit of these two strong characters, one Viennese and one Tyrolean to the core, still sounds fresh as morning dew more than 25 years after the recordings were made

    On the CD/DVD “Live in Concerts” (2009) with Jazzzwio concerts from 1981 to 1984; Pepl was Viennese, Werner Pirchner Tyrolean, and each brought his own regionally coloured humour into the music

  4. 13 February 2009 · Review · DE

    Die Presse (Online): „Jazzzwio, Live In Concerts“ (Zwio Infernal)

    Samir H. Köck

    Short review of the reissue of the 1981 Montreux concert (EmArcy/Universal). The text pays tribute to the duo of guitar and vibraphone as unusual chamber music of the 1980s, whose cascades of sound, the text says, have stayed in the memory of contemporaries.

    The superb guitarist Harry Pepl and his perfectly matched partner

  5. 18 May 1985 · Review

    The New York Times (Section 1, p. 10): „MUSIC: AUSTRIAN AVANT-GARDE“

    John Rockwell

    Review of the opening night of the festival “Beyond the Sound of Music: New Austria/New York” at the Ohio Theater in SoHo, at which the Jazzzwio with Harry Pepl and Werner Pirchner performed together with the drummer Don Moye. Rockwell heard the first set, 40 minutes long, and found the music pleasant but not significant enough for the opening of a festival series; the evening began about an hour late. The Wednesday of the festival week was 15 May 1985.

    relaxed and cool, in the ECM Records manner

  6. 18 February 1983 · Review · SL

    Glasbena mladina (Slovenian music magazine): Nr. 5: „Plodna jazzovska jesen ’82 v Zagrebu“ (Fruchtbarer Jazzherbst ’82 in Zagreb)

    Miro Križič

    Review of the Zagreb jazz autumn of 1982 with the fourth International Jazz Fair from 11 to 15 October (with Martial Solal, Stan Tracey, Hans Koller and Joachim Kühn, among others) and further concerts. In the same month the duo Jazzzwio (printed “Jazzwio”) with Werner Pirchner (tenor vibraphone, marimba) and Harry Pepl (guitar) performed in the music salon of the Student Centre. Križič praises the combination of Pirchner’s prepared vibraphone and the modern guitar, which, he writes, created a wealth of musical ideas, rhythms and brilliant improvisations.

    The combination of the prepared vibraphone, from which Pirchner drew incredible sounds full of vibrating sensitivity, and the modern guitar created a wealth of musical ideas, rhythms and brilliant improvisations.

    Miro Križič in his review of the Zagreb jazz autumn of 1982 in the Slovenian music magazine “Glasbena mladina”, on the concert of the Jazzzwio of Werner Pirchner and Harry Pepl in October 1982 in the music salon of the Student Centre in Zagreb, Croatia