Press archive
What was written and broadcast about Harry Pepl: reviews, portraits, interviews and obituaries, with summary and source. The originals are protected by copyright and kept in the archive; we provide them to researchers and the press on request.
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31 August 2004 · Review · DE
Der Standard (p. 24, culture): „Sicherheitsdenken und ‚positive Signale‘“ (Ausklang des Jazzfestivals Saalfelden 2004)
Andreas Felber
Report from the Saalfelden jazz festival 2004. In one of his rare solo concerts, on Sunday, 29 August 2004, Wolfgang Muthspiel reflected, among other things, the playing of his teacher Pepl.
the rugged rhapsodic style of a Harry Pepl
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2001 · Review · DE
Concerto (music magazine), issue 5/2001, p. 54: „Fünf Variationen österreichischer Jazzkunst“ (Austrian Jazzart)
Jörg Weitlaner
Joint review of the first five CDs of Universal Music’s Austrian Jazzart series (reissues of Austrian jazz albums). First comes “Light Blues” by Air Mail, the quartet’s second and last record, with Wolfgang Puschnig, Wolfgang Reisinger and Mike Richmond. Pepl describes the band’s “telepathic understanding”; the review quotes from the liner notes (by Andreas Felber according to Discogs) his playing “marked by rough, jagged cascades of notes” and highlights the then still young MIDI technology. For Wolfgang Puschnig’s “Pieces Of The Dream” (No. 5) Pepl is named among the duo partners.
playing marked by rough, jagged cascades of notes
Andreas Felber
The interplay of the whole band, in which we had developed a telepathic understanding, was what made Airmail special for me.
Looking back in 2001 on his quartet Air Mail
Harry Pepl