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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Literature | Harry Pepl. Aspekte seiner musikalischen EntwicklungChristian Haudej · Unpublished master’s thesis, Institute for Jazz Research, University of Music and Performing Arts Graz · Graz | 1999 | ||
| Literature | Norwegian Jazz Discography 1905-1998Johs Bergh · Norwegian Jazz Archives 1999, ISBN 82-90727-10-0, p. 255, 366 · Oslo | 1999 | ||
| Quotation | „from 1992 to 1997 he was taught by Harry Pepl in the jazz department of the Graz University of Music“Wiener Zeitung, Extra section, 30 July 1999, p. 915; translated from the German | 1999 | ||
| Quotation | „No idea what would have become of me if I hadn’t met Harry.“Martin Siewert · On his studies with Pepl in Graz; portrait by Klaus Taschwer, Falter, Wednesday, 25 August 1999, p. 53 | 1999 | ||
| Quotation | „The main point is that you can bring music to life, no matter what style.“Harry Pepl · Interview with Christian Haudej, 1999, p. 19, quoted in Heckel 2024, p. 86 | 1999 | ||
| Chronology | “Frischwärts” and the Christmas CD1999 · Hernstein · Recordings | 1999 | ||
| Press | „Die Kraft der Statik“Wiener Zeitung (p. 915, Ressort Extra) · Christian Rösner · Portrait | 30 Jul 1999 | ||
| Press | „Wenn Gitarren schreien“Falter (p. 53) · Klaus Taschwer (Mitarbeit: Carsten Fastner) · Portrait | 25 Aug 1999 | ||
| Chronology | Jury member in federal music funding1999 · Vienna · Life | 1999 | ||
| Literature | Music in Austria. From Its Early Beginnings to the Present Day. An OverviewHarald Goertz · Bundespressedienst 2000, p. 57 · Vienna | 2000 | ||
| Literature | Reclams JazzführerCarlo Bohländer, Karl Heinz Holler, Christian Pfarr · Reclam 2000, ISBN 3-15-010464-5 · Stuttgart | 2000 | ||
| Work | ZeitrafferHarry Pepl · work for percussion ensemble and playback tape · percussion ensemble and playback tape (playback purely sonic); fully hand-notated | 2000 | HP-W-0193ISWC T0012469214 | |
| Quotation | „a brilliant, atmospherically dense, wildly grooving “Zeitraffer” by Harry Pepl“Andreas Fellinger, Neue Zeit, 26 November 2000, p. 38; translated from the German | 2000 | ||
| Quotation | „A play with waves and tides, in the pull of the speed of the moment“Harry Pepl · On “Zeitraffer” (Pepl’s own words), quoted by Ewald Baringer, NÖN, 5 April 2000, p. 18; translated from the German | 2000 | ||
| Quotation | „A truly brilliant stroke by the legendary guitarist and composer.“Ewald Baringer, NÖN · Ewald Baringer, review of the premiere of “Zeitraffer”, NÖN (Lower Austrian newspaper), 5 April 2000, p. 18; translated from the German | 2000 | ||
| Quotation | „Art has the task not merely to negate the tendencies of the time, but also to sharpen them.“Harry Pepl · Programme note on “Zeitraffer”, concert “Einkreisung”, Sammlung Essl, Schömer-Haus Klosterneuburg, 1 April 2000 | 2000 | ||
| Literature | „Ein Stück freier Himmel“. 10 Jahre Musik im Grabenhof. Die Grabenfesttage der ÖBV von 1991 bis 2000Marie-Therese Rudolph (Hg.) · Deuticke 2000, 327 pages, ISBN 3-216-30547-3, p. 314 · Vienna, Munich | 2000 | ||
| Quotation | „Harry Pepl’s brilliant, atmospherically dense, wildly grooving “Zeitraffer”“Andreas Fellinger · On the performance of “Zeitraffer” at Forum Stadtpark Graz; “Die Moderne in der Perkussion”, Neue Zeit, Sunday 26 November 2000, p. 38; translated from the German | 2000 | ||
| Quotation | „Real-time Composing (my working method): total improvisation in the pull of the speed of the moment.“Harry Pepl · Programme note for the work “Zeitraffer”, quoted in Heckel 2024, p. 61 and p. 208 | 2000 | ||
| Quotation | „This was no bloodless composer at work, but a deeply feeling, very contemporary musician who has emotion and creative intelligence equally …“Ewald Baringer · Review of the premiere of “Zeitraffer” at the Schömer-Haus, NÖN, Wednesday 5 April 2000, p. 18; translated from the German | 2000 | ||
| Quotation | „“Le Monde” called Pepl a giant of improvisation.“Sammlung Essl, programme “Einkreisung”, 1 April 2000, short biography | 2000 | ||
| Chronology | Premiere of “Zeitraffer”1 April 2000 · Klosterneuburg · Works | 1 Apr 2000 | ||
| Press | Studio Percussion graz: Xenakis, Pepl, HölszkySammlung Essl, programme Schömer-Haus · Programme booklet | 1 Apr 2000 | ||
| Press | „Im Zentrum der Einkreisung“ (Uraufführung von Harry Pepls grandiosem „Zeitraffer“ im Schömer-Haus)NÖN Niederösterreichische Nachrichten (p. 18, culture) · Ewald Baringer · Review | 5 Apr 2000 | ||
| Chronology | “Zeitraffer” at the Autumn Concerts in GrazNovember 2000 · Graz · Concerts | 2000 | ||
| Press | „Die Moderne in der Perkussion“Neue Zeit (p. 38, culture) · Andreas Fellinger · Review | 26 Nov 2000 | ||
| Listening copy | Airmail: 125-250 (Light Blues (Austrian Jazzart 1), 2001)Universal / EmArcy, 2001 | 2001 |
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| Listening copy | Airmail: Air, Love And Vitamins (Light Blues (Austrian Jazzart 1), 2001)Universal / EmArcy, 2001 | 2001 |
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| Listening copy | Airmail: Camomile Tea (Light Blues (Austrian Jazzart 1), 2001)Universal / EmArcy, 2001 | 2001 |
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| Listening copy | Airmail: Eponimonus (Where Are You) (Light Blues (Austrian Jazzart 1), 2001)Universal / EmArcy, 2001 | 2001 |
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| Listening copy | Airmail: Fleacircus (Light Blues (Austrian Jazzart 1), 2001)Universal / EmArcy, 2001 | 2001 |
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| Listening copy | Airmail: Oxford Circle (Light Blues (Austrian Jazzart 1), 2001)Universal / EmArcy, 2001 | 2001 |
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| Listening copy | Airmail: Radlbremser (Light Blues (Austrian Jazzart 1), 2001)Universal / EmArcy, 2001 | 2001 |
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| Listening copy | Airmail: Shifting People (Light Blues (Austrian Jazzart 1), 2001)Universal / EmArcy, 2001 | 2001 |
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| Listening copy | Airmail: The Halley’s Comet Light Blue Blues (Light Blues (Austrian Jazzart 1), 2001)Universal / EmArcy, 2001 | 2001 |
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| Literature | Bremische Chronik 1981/1986Reinhard Patemann (Bearb.) · Staatsarchiv Bremen 2001, ISBN 3-925729-31-3, p. 29 · Bremen | 2001 | ||
| Photo | Harry Pepl and Karl Ratzer, 2001 | 2001 | ||
| Literature | Jazzforschung / Jazz Research, Band 33Institut für Jazzforschung Graz, Internationale Gesellschaft für Jazzforschung (Hg.) · vol. 33, Akademische Druck- u. Verlagsanstalt 2001 · Graz | 2001 | ||
| Releases | Light BluesHarry Pepl, Air Mail · EmArcy (Universal Music Austria), Reihe Austrian Jazzart Nr. 1 835 305-2 · CD, album, reissue, remastered | 2001 | HP-T-0124835 305-2 | |
| Releases | Pieces Of The DreamWolfgang Puschnig · EmArcy (Universal Music Austria), Reihe Austrian Jazzart Nr. 5 837 322-2 · CD, album, reissue (six-panel digipak) | 2001 | HP-T-0125837 322-2 | |
| Literature | The New Grove Dictionary of Music and Musicians, 2. Ausgabe, Artikel „Pirchner, Werner“Stanley Sadie (Hg.) · Macmillan, Grove 2001, vol. 19 · London, New York | 2001 | ||
| Literature | The Twentieth-Century String Quartet. An Historical Introduction and CatalogueIan Lawrence · Scarecrow Press 2001, ISBN 0-8108-4002-2 · Lanham, Md. | 2001 | ||
| Quotation | „Above all, however, he formed with the guitarist Harry Pepl the “Jazz-Zwio”, which was successful far beyond Austria’s borders.“Falter, 15 August 2001, p. 49; translated from the German | 2001 | ||
| Quotation | „At that time everyone was talking about Harry Pepl.“Christian Rösner · Christian Rösner in the Wiener Zeitung, 28 December 2001, p. 11; translated from the German | 2001 | ||
| Quotation | „playing marked by rough, jagged cascades of notes“Andreas Felber · Andreas Felber, head of the Ö1 jazz department, on Pepl’s guitar playing in the liner notes to the reissue “Light Blues” (Air Mail, Austrian Jazzart No. 1, EmArcy 2001); quoted by Jörg Weitlaner in Concerto 5/2001, p. 54; translated from the German | 2001 | ||
| Quotation | „The interplay of the whole band, in which we had developed a telepathic understanding, was what made Airmail special for me.“Harry Pepl · On the quartet Air Mail; quoted by Jörg Weitlaner in “Fünf Variationen österreichischer Jazzkunst” (Five variations of Austrian jazz art), Concerto 5/2001, p. 54; translated from the German | 2001 | ||
| Quotation | „the legendary “Light Blues” by Harry Pepl’s “Airmail”. Wonderful.“Otmar Klammer · Otmar Klammer, Kleine Zeitung, 27 October 2001; translated from the German | 2001 | ||
| Quotation | „With Harry Pepl on guitar he founded the legendary “jazz orchestra with two men”“Gunther Baumann, Kurier, 11 August 2001, p. 29; translated from the German | 2001 | ||
| Chronology | “Light Blues” reissued2001 · Vienna · Recordings | 2001 | ||
| Press | „Fünf Variationen österreichischer Jazzkunst“ (Austrian Jazzart)Concerto (music magazine), issue 5/2001, p. 54 · Jörg Weitlaner · Review | 2001 |
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