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2117 results · Page 43 of 43
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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Person | Wolfgang Schalkguitar · Austria · Circle | |||
| Person | Wolfgang Schiftnersaxophone · Plays his music | |||
| Person | Wolfgang Wüstbass | |||
| Person | Wulf Müllerexecutive producer, jazz writer · Circle | |||
| Work | ZapplerHarry Pepl | HP-W-0192ISWC T0010793846 | ||
| Work | Zip CodeHarry Pepl, Clemens Salesny, Martin Bayer · improvisation with Pepl's original tracks · Harry Pepl (tape) guitar, Clemens Salesny alto saxophone, Martin Bayer guitar, Andreas Schreiber violin, Valentin Duit drums | HP-W-0194ISWC T3406716896 | ||
| Work | ZirkulationenHarry Pepl | HP-W-0195ISWC T0013004095 | ||
| Quotation | „Angular, clear and powerful was his playing on various acoustic and electric guitars.“Roland Spiegel · Broadcast script “Was heute geschah” (What happened today), Bayerischer Rundfunk (Bavarian public broadcaster), Roland Spiegel (undated, before 2020; Daniel Pepl archive) | |||
| Quotation | „Benny had such a radiance, really, in his phrasing and in everything, it was absolutely brilliant“Harry Pepl · On Benny Goodman; conversation with Nikolaus Kohler (Interview 2-10), quoted in Kohler 2006, p. 60 | |||
| Quotation | „Giant of improvisation“Le Monde · Le Monde (original article in the gamsbART archive, Heimo Steps); quoted in Kleine Zeitung, 10 January 1988, p. 18 | |||
| Quotation | „His duo partner, the vibraphonist Werner Pirchner, called him “a completely straight-down-the-line guy”.“Roland Spiegel · Broadcast script “Was heute geschah” (What happened today), Bayerischer Rundfunk (Bavarian public broadcaster), Roland Spiegel (undated, before 2020; Daniel Pepl archive) | |||
| Quotation | „I played Rock & Soul strings because they stay in tune, don’t oxidise, are easy to bend, and are soft and perfect in sound.“Harry Pepl · Advertisement by Thomastik-Infeld (Vienna, Austria) for the guitar strings “Rock & Soul Strings”, 1980s; translated from the German | |||
| Quotation | „It actually came about through the Art Orchestra that we played together more and more.“Harry Pepl · On Air Mail; conversation with Nikolaus Kohler (Interview 4-53), quoted in Kohler 2006, p. 47 | |||
| Quotation | „That is me, I recorded all of it myself“Harry Pepl · Reply to Herbert Joos, who compared a multitrack recording with the ORF Big Band; as told by Clemens Salesny in the interview with Stefan Heckel (20 September 2018), Heckel 2024, p. 239 | |||
| Quotation | „The Art Orchestra was open as a band, there was a lot of room, even though some things were written out too. It was ace to play along.“Harry Pepl · On the Vienna Art Orchestra; conversation with Nikolaus Kohler (Interview 4-50), quoted in Kohler 2006, p. 47 | |||
| Quotation | „understood immediately at the first or second rhythmic impulse, so that everyone knew where the other was“Harry Pepl · On Jack DeJohnette; conversation with Nikolaus Kohler (Interview 2-25), quoted in Kohler 2006, p. 140 | |||
| Quotation | „With his musicality, his search for sounds that differed from the jazz conventions of the time, and with such lovely punning titles as …“Roland Spiegel · Broadcast script “Was heute geschah” (What happened today), Bayerischer Rundfunk (Bavarian public broadcaster), Roland Spiegel (undated, before 2020; Daniel Pepl archive) |
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