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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Press | „Harrys Schloß der Töne“Der Standard (p. 13) · Ljubiša Tošić · Interview | 3 Aug 1991 | ||
| Chronology | Opening concert of the Lower Austrian Jazz Academy with Jamaaladeen Tacuma4 August 1991 · Zeillern · Concerts | 4 Aug 1991 | ||
| Press | „noe kulturpreise 1991 beschlossen: preisueberreichung im stadtsaal zwettl“OTS (Originaltext-Service der APA), Aussendung des Landes Niederösterreich · Press release | 25 Sep 1991 | ||
| Chronology | Closing concert of the ZeitgeNÖssischer HerbstNovember 1991 · Lower Austria · Concerts | 1991 | ||
| Press | „Außergewöhnlicheskonzert zum Abschluß“ (ZeitgeNÖssischer Herbst wurde Publikumserfolg)OTS (Originaltext-Service der APA), Niederösterreichische Landeskorrespondenz · Press release | 2 Dec 1991 | ||
| Chronology | Kronos Quartet at the Orpheum in Graz3 December 1991 · Graz · Works | 3 Dec 1991 | ||
| Press | „NÖ. Herbst: Erfolge mit Neuer Musik“Der Standard (p. 11) · initials „ws“ · Report | 6 Dec 1991 | ||
| Literature | A Night in Tunisia. Imaginings of Africa in JazzNorman C. Weinstein · Metuchen, N.J.: Scarecrow Press 1992, ISBN 0-8108-2525-2 · Metuchen | 1992 | ||
| Project | Abstract Truth“Beginnings”, recorded in New York · 1992 to 1995 | 1992 | ||
| Work | AnkaraHarry Pepl · jazz composition · Quartet: flugelhorn, percussion, guitar, double bass | 1992 | HP-W-0009ISWC T0011197742 | |
| Work | Anspannen, Überspannen, AbspannenHarry Pepl · commissioned work for percussion ensemble and playback tape · five percussionists (one drummer) with playback tape (MiniDisc/DAT; MIDI guitar, sampler); five parts A to E, 23 minutes on the CD | 1992 | HP-W-0010ISWC T0012837910 | |
| Project | Blue Brass ConnectionBand of the trombonist Paul Zauner with US jazz musicians, at Pori in 1992 as “John Purcell’s Blue Brass Connection” · 1992 | 1992 | ||
| Work | Children at PlayHarry Pepl, Claus Stötter · jazz composition · Quartet: flugelhorn/trumpet, guitar, bass, drums | 1992 | HP-W-0028ISWC T3053317247 | |
| Releases | Fantasma d'Amore (Soundtrack)Riz Ortolani (soloist: Benny Goodman) · CAM CSE 021 · Soundtrack (CD edition, 1992) | 1992 | HP-T-0046CSE 021 | |
| Project | Frankfurt-Wien-ConnectionFestival line-up at the Deutsches Jazzfestival Frankfurt, 1992 · 1992 | 1992 | ||
| Project | Harry Pepl QuartetN.Y.C. Impressure (New York 1992) · 1992 to 1994 | 1992 | ||
| Photo | Harry Pepl teaching, August 1992Photo: Martin Schaberl | 1992 | ||
| Releases | Hey, GuitarVarious · ECM Records ECM 1383, 1411, 1388, 1270, 1351, 1356 · Box set, 6xLP (compilation, special edition) | 1992 | HP-T-0047ECM 1383, 1411, 1388, 1270, 1351, 1356 | |
| Work | La la LaHarry Pepl · jazz composition · Quartet: flugelhorn, percussion, guitar, double bass | 1992 | HP-W-0105ISWC T0011670599 | |
| Work | Little MomHarry Pepl · jazz ballad · Quartet: flugelhorn, percussion, guitar, double bass, keyboard | 1992 | HP-W-0106ISWC T0013032999 | |
| Work | Scale FoxHarry Pepl · jazz composition · Quartet: flugelhorn, percussion, guitar, double bass | 1992 | HP-W-0146ISWC T0012519231 | |
| Work | Song for GilHarry Pepl · jazz ballad · Quartet: flugelhorn, percussion, guitar, double bass | 1992 | HP-W-0159ISWC T0011438064 | |
| Project | STUDIO PERCUSSION grazPremieres of “Anspannen, Überspannen, Abspannen” and “Zeitraffer” · 1992 to 2000 | 1992 | ||
| Literature | The Jazz Book. From Ragtime to Fusion and BeyondJoachim-Ernst Berendt, Günther Huesmann · Brooklyn, N.Y.: Lawrence Hill Books 1992; Neuausgabe „The Jazz Book. From Ragtime to the 21st Century“, 2009; deutsche Ausgabe „Das Jazzbuch. Von New Orleans bis ins 21 Jahrhundert“, 2005, p. 551 · Brooklyn | 1992 | ||
| Literature | The Jazz DiscographyTom Lord · West Vancouver: Lord Music Reference, 1992 to 2001, mehrere Bände (Treffer in den Bänden 1, 6, 8, 9, 10, 14, 16, 17, 18, 19, 22 und 24); eigener Leader-entry „Harry Pepl“ in vol. 17 (1997, ISBN 1-881993-16-7), S. P-280, Pirchner/Pepl Jazzwio S. P-509 · West Vancouver | 1992 | ||
| Quotation | „I noticed myself that I play completely differently there than at home.“Harry Pepl · On his appearance at the Knitting Factory, New York, summer 1992; Jazzlive no. 99/1992, p. 8 | 1992 | ||
| Quotation | „Old master Harry Pepl, guitar guru of the Austrian jazz scene“Manfred L. Fritscher · Kurier, Wednesday, 12 August 1992, p. 6 | 1992 | ||
| Quotation | „That is yet another new band, in which the Austrians Harry Pepl and Harry Sokal, among others, are fiddling along.“Der Standard, 13 November 1992, p. A9; translated from the German | 1992 | ||
| Quotation | „The ambience of the club is rather plain. Playing there was really an experience.“Harry Pepl · On the Knitting Factory, New York, summer 1992; Jazzlive no. 99/1992, p. 8 | 1992 | ||
| Quotation | „We think this will be an invaluable opportunity to expose your music to a New York audience.“Knitting Factory Works, New York (letter), 2 April 1992 | 1992 | ||
| Chronology | Premiere of “Anspannen, Überspannen, Abspannen”11 March 1992 · Graz · Works | 11 Mar 1992 | ||
| Press | Einladung an das Harry Pepl Quartet für den 2. Juni 1992Knitting Factory Works, New York (letter) · Michael Dorf, Director · Other | 2 Apr 1992 |
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| Chronology | Harry Pepl Quartet at the Knitting FactoryJune 1992 · New York · Concerts | 1992 | ||
| Chronology | Recording of “N.Y.C. IMPRESSURE”4 June 1992 · New York · Recordings | 4 Jun 1992 | ||
| Chronology | Harry Pepl Group at the Raab jazz festival7 June 1992 · Raab, Upper Austria · Concerts | 7 Jun 1992 | ||
| Press | Festival years 1992: John Purcell´s Blue Brass ConnectionPori Jazz, festival archive (online) · Other | 17 Jul 1992 | ||
| Chronology | Pori Jazz Festival with John Purcell’s Blue Brass Connection17 July 1992 · Pori, Finland · Concerts | 17 Jul 1992 | ||
| Chronology | Teacher at the International Jazz Academy in St. Pölten26 July 1992 · St. Pölten · Teaching | 26 Jul 1992 | ||
| Chronology | Faculty concert of the Lower Austrian Jazz Academy12 August 1992 · Zeillern · Concerts | 12 Aug 1992 | ||
| Press | „Jazzakademie im Schloß lockt internationale Stars“Kurier (p. 6) · Manfred L. Fritscher · Report | 12 Aug 1992 | ||
| Chronology | Frankfurt-Wien-Connection at the Deutsches Jazzfestival Frankfurt31 October 1992 · Frankfurt am Main · Concerts | 31 Oct 1992 | ||
| Press | „Bauernbub spielt im Sweet Basil“Der Standard (Seite A9) · Johann Skocek · Report | 13 Nov 1992 | ||
| Chronology | Cover of JazzliveDecember 1992 · Vienna · Media | 1992 | ||
| Press | Titelbild Harry Pepl; „Soundknitting. Die farbenfrohen Klangmuster der New Yorker Knitting Factory“Jazzlive (vol. 10, no. 99/1992) · Hannes Schweiger (article); Rainer Rygalyk (cover photo) · Report | 1992 |
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| Project | Artis-QuartettPremiere of “Über Kurz oder Lang” at the Musikverein, 1993 · 1993 | 1993 | ||
| Releases | B.G. World-WideBenny Goodman · TCB Records TCB 4301-2 · 4-CD box set (compilation, two double CD cases) | 1993 | HP-T-0048TCB 4301-2 | |
| Work | Bars, Heartbeats and FramesHarry Pepl · ensemble work · Quartet: 2 percussion, 2 pianos (according to mica) | 1993 | HP-W-0014 | |
| Literature | Charlie Mariano. Tears of Sound. Wanderer zwischen den MusikweltenLothar Lewien, Diskografie von Robert G. Pettibone · St. Andrä-Wördern: Hannibal 1993, 285 S., ISBN 3-85445-087-7, Diskografie p. 264 · St. Andrä-Wördern | 1993 | ||
| Releases | Looking BackKarlheinz Miklin · SOS-Music J-006 · CD | 1993 | HP-T-0049J-006 | |
| Releases | Niederösterreichische JazzakademieVarious / Niederösterreichische Jazzakademie · Musikfabrik MF 0093-01 · CD (compilation) | 1993 | HP-T-0050MF 0093-01 |
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