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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Literature | Norsk musikkavis indeksKnut Tore Breivik · Stokmarknes: K. T. Breivik 1993, p. 39, 112 und 161 · Stokmarknes | 1993 | ||
| Work | Über Kurz oder Lang, Von der Weite und der EngeHarry Pepl · string quartet (Instant Composition) · string quartet (2 violins, viola, cello), three movements; Pepl recorded the material partly with a MIDI keyboard, partly with MIDI guitar | 1993 | HP-W-0182ISWC T0011517706 | |
| Quotation | „Airmail, with Jean-Pierre Celea instead of Palle Danielsson on double bass, was devoted to guitar mastermind Harry Pepl.“Kurier, 30 May 1993, p. 21; translated from the German | 1993 | ||
| Quotation | „Almost everything this country has to offer in jazz of international quality is gathered here.“Ljubiša Tošić · On the re-formed band Air Mail; Der Standard, Wednesday, 19 May 1993, p. S5 | 1993 | ||
| Quotation | „Among others, the US trombonist George Lewis, Gene Jackson, who works with Herbie Hancock, as well as the guitarist Harry Pepl and the …“Der Standard, 17 September 1993, p. 10; translated from the German | 1993 | ||
| Quotation | „from Pepl one may only expect the unexpected“Gesellschaft der Musikfreunde in Wien, programme booklet Brahms-Saal (Vienna Spring Festival 1993, Artis-Quartett, 3rd concert), 6 May 1993, PDF page 9 (quoted review) | 1993 | ||
| Quotation | „his hesitant, ever re-beginning, fragile work conveying grief is too good to be a sandwich filling.“Werner Schuster · On Pepl’s string quartet; “Als Sandwich-Einlage?”, Kurier, Sunday 9 May 1993, p. 22; translated from the German | 1993 | ||
| Quotation | „his work, hesitantly starting again and again, fragile, conveying grief, is too good for use as a sandwich filler“Kurier (page 22), 9 May 1993, p. 22 | 1993 | ||
| Quotation | „“Air Mail” was one of the most successful Austrian bands.“Der Standard, section “Veranstaltungen zum Vorausplanen”, 19 May 1993, p. S5; translated from the German | 1993 | ||
| Chronology | Air Mail re-formsMay 1993 · Vienna · Concerts | 1993 | ||
| Chronology | Concert in the former synagogue in St. Pölten5 May 1993 · St. Pölten · Concerts | 5 May 1993 | ||
| Press | Artis-Quartett mit Stefan Vladar, Donnerstag, 6. Mai 1993, 19.30 UhrGesellschaft der Musikfreunde in Wien, programme booklet, Brahms-Saal (Vienna Spring Festival 1993, Artis Quartet, concert 3) · editor: Joachim Reiber · Programme booklet | 6 May 1993 |
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| Chronology | Premiere of “Über Kurz oder Lang” by the Artis Quartet6 May 1993 · Vienna · Works | 6 May 1993 | ||
| Press | „Pepl-Uraufführung beim Artis-Quartett-Zyklus“Kurier (p. 22) · Werner Schuster · Review | 9 May 1993 | ||
| Press | „Frische Luftpost“Der Standard (Seite S5, column „Veranstaltungen zum Vorausplanen“) · Ljubiša Tošić (initials „tos“) · Report | 19 May 1993 | ||
| Chronology | Last Air Mail concert in Raab28 May 1993 · Raab, Upper Austria · Concerts | 28 May 1993 | ||
| Press | „Raab-mood - eine Suche“Kurier (p. 21) · Peter Klimitsch · Review | 30 May 1993 | ||
| Press | „Schwarz & hart, erdig & kantig“ (Komponist Paul Zauner erkundet „Die Innviertler Seele“ musikalisch)Der Standard (p. 10) · Christian Schachinger · Report | 17 Sep 1993 | ||
| Chronology | “Die Innviertler Seele” at the Festival der Regionen23 September 1993 · Aspach, Obernberg, Zell an der Pram · Concerts | 23 Sep 1993 | ||
| Listening copy | Abstract Truth: Die kleine Mutti (Beginnings, 1994)PAO Records, 1994 | 1994 |
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| Releases | BeginningsAbstract Truth · Amadeo / PAO Records 523 570-2 · CD | 1994 | HP-T-0051523 570-2 | |
| Literature | Beiträge 9: KomponistenverzeichnisÖsterreichische Gesellschaft für Musik · Harald Goertz: Österreichische Komponisten unserer Zeit, Kassel: Bärenreiter [1994], 175 S. (Beiträge der Österreichischen Gesellschaft für Musik, 9), p. 110 · Kassel | 1994 | ||
| Releases | Die kleine KneipePeter Alexander · Ariola 7432119642 | 1994 | HP-T-00897432119642 | |
| Listening copy | Harry Pepl and Jack DeJohnette, duo at the Raab Jazz Festivallive recording, Raab, 22 May 1994, restored by Daniel Pepl | 1994 | ||
| Releases | N.Y.C. IMPRESSUREHarry Pepl Quartet · Extraplatte EX 203-2 · CD | 1994 | HP-T-0052EX 203-2 | |
| Project | Pepl / Labarrière / Jackson / MittererOne of the last concert series, 1994 · 1994 | 1994 | ||
| Literature | The Penguin Guide to Jazz on CD, LP and CassetteRichard Cook, Brian Morton · 2 Auflage, London: Penguin Books 1994, p. 718, 1028, 1077 und 1135; der entry steht auch in den Folgeausgaben 1996, 1998, 2000, 2002 und 2004 sowie in „The Penguin Guide to Jazz Recordings“ (2006) · London | 1994 | ||
| Quotation | „after all, there were moments of intensity that one would not have wanted to miss on any account“Der Standard, 24 May 1994, p. 10; translated from the German | 1994 | ||
| Quotation | „Alternating between piano and drums, he engaged in dialogues with Harry Pepl on guitar synthesizer.“Kronen Zeitung, 24 May 1994, p. 17; translated from the German | 1994 | ||
| Quotation | „And so it may well happen that the guitar professor shines with a rock-distorted sound.“Ljubiša Tošić · Review of the CD “N.Y.C. Impressure”, “Der Groove-Professor gibt sich recht unberechenbar”, Der Standard, Friday 27 May 1994, p. 11; translated from the German | 1994 | ||
| Quotation | „as a kindred-spirited improviser on drums in a thrillingly intimate dialogue with the string electronics player and creative sound …“Wolfgang Lamprecht · On Jack DeJohnette in Raab; Salzburger Nachrichten, Thursday, 26 May 1994, p. 8 | 1994 | ||
| Quotation | „Drummer and pianist Jack DeJohnette and guitarist Harry Pepl, for instance, gave a live session there.“Der Standard, 24 May 1994, p. 10; translated from the German | 1994 | ||
| Quotation | „Guitarist and composer Harry Pepl is regarded as a musical border-crosser and has played with jazz greats such as Benny Goodman, Dave …“Kronen Zeitung (Kürzel D. S.) · Kronen Zeitung, Tuesday, 26 July 1994, p. 18 | 1994 | ||
| Quotation | „He remains a crosser of borders, this Harry Pepl.“Bernd Schmidt · Closing sentence of the portrait “Rastloser Grenzgänger”, Kronen Zeitung, Thursday 28 July 1994, p. 22; translated from the German | 1994 | ||
| Quotation | „His latest hobby-horse goes by the name of “real-time-composing”.“Magazine (title not preserved), record review, 1994 | 1994 | ||
| Quotation | „I live in a village in Lower Austria; perhaps that is why the dark sides of present-day urbanity strike me in particular“Harry Pepl · Liner notes to “N.Y.C. IMPRESSURE” (1994), quoted in Kohler 2006, p. 125 | 1994 | ||
| Quotation | „In doing so, while playing the instrument, I record what is present in my consciousness during the creative process.“Harry Pepl · On his real-time composing; portrait “Rastloser Grenzgänger” by Bernd Schmidt, Kronen Zeitung, Thursday 28 July 1994, p. 22; translated from the German | 1994 | ||
| Quotation | „is among the most exciting things produced in this country in recent years.“Salzburger Nachrichten, May 1994 | 1994 | ||
| Quotation | „Jazz Festival Raab, 20 to 23 May 1994 (Whitsun). At the festival in Austria, the performers included […] Harry Pepl in a duo with Jack de …“Hudobný život (Slovak music magazine), no. 11, 8 June 1994, p. 7, “Infojazz č. 2/94”; translated from the Slovak | 1994 | ||
| Quotation | „Nor must one of the most experimental and versatile Austrian jazz guitarists be missing: Harry Pepl“Austria Presse Agentur · Programme presentation of the Graz Meeting ’94, APA-Basisdienst, Wednesday, 16 February 1994 | 1994 | ||
| Quotation | „Of course his phrasing is once again highly individual, which means: appealing and pleasantly unpredictable.“Ljubiša Tošić · Der Standard, 27 May 1994 | 1994 | ||
| Quotation | „On N.Y.C. Impressure his guitar sound is once again recognisable as such.“Der Standard, 27 May 1994 | 1994 | ||
| Quotation | „only influenced by the New York street noises, by the loud life in this gigantic city.“Harry Pepl · On how “N.Y.C. Impressure” came about; portrait “Rastloser Grenzgänger” by Bernd Schmidt, Kronen Zeitung, Thursday 28 July 1994, p. 22; translated from the German | 1994 | ||
| Quotation | „recorded an album which, thanks to its so cleverly conceived tracks, ploughed through with compelling solos, ranks among the most exciting …“Wolfgang Gratzer · Review of the CD “N.Y.C. Impressure”, “Verständigungen über den Gartenzaun”, Salzburger Nachrichten, Saturday 7 May 1994; translated from the German | 1994 | ||
| Quotation | „the (for the author of these lines) Austrian jazz album of the year, “N.Y.C. impressure”, by and with Harry Pepl“Wolfgang Lamprecht · “Österreichs Jazz hält seine Freunde auf Trab”, Salzburger Nachrichten, 24 December 1994, p. 7 | 1994 | ||
| Quotation | „The Lower Austrian Harry Pepl loves the battle with “Bits and Bytes”.“Magazine (title not preserved), record review, 1994 | 1994 | ||
| Quotation | „The result, from fusion to avant-garde: “Beginnings”.“APA news service (Austria Presse Agentur), APA JAZZ NEWS section, 28 December 1994; translated from the German | 1994 | ||
| Quotation | „The top-class musician will also play the opening concert with his quartet on 31 July from 9 p.m.“Kronen Zeitung, 26 July 1994, p. 18; translated from the German | 1994 | ||
| Quotation | „The Viennese Harry Pepl, who counts among the most distinctive guitarists on the continent“Wolfgang Gratzer · Salzburger Nachrichten, May 1994 | 1994 | ||
| Quotation | „These were sound meditations between expansive and concentrated, in lyrical solitude and orchestral fullness of sound.“Kürzel CT (vermutlich Chris Thommark) · On the duo with Jack DeJohnette at the Innviertel jazz festival in Raab; Kronen Zeitung, Tuesday, 24 May 1994, p. 17 | 1994 |
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