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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Quotation | „Guitar, synthesizer, piano, vocals, drums: Pepl once recorded everything himself at home.““Inntöne-Festival: Session mit der Historie”, Der Standard (online), 12 May 2016 | 2016 | ||
| Quotation | „Harry Pepl, definitely, with whom I played in the Airmail band for seven years.“Wolfgang Puschnig · Wolfgang Puschnig, asked about his most lasting influence, Kleine Zeitung, 20 May 2016, p. 79; translated from the German | 2016 | ||
| Quotation | „In jagged, experimental improvisations they go all out and systematically leave familiar structures and sounds behind.“Passauer Neue Presse, 17 May 2016; translated from the German | 2016 | ||
| Quotation | „It was on arriving on European soil that he auditioned and hired the Austrian guitarist Harry Pepl, the German bassist Peter “Fifi” Witte …“Alex Dutilh, “Jazz au Trésor: Benny Goodman: Berlin 1980”, France Musique, 30 May 2016 | 2016 | ||
| Quotation | „She is currently working on it with Daniel Pepl, the son of the European jazz guitar legend Harry Pepl.“Samir H. Köck · Samir H. Köck, Die Presse, 20 August 2016, p. 10; translated from the German | 2016 | ||
| Quotation | „Some pieces and arrangements offer such great freedom that they sound different every time live, and Harry, too, keeps on surprising.“Clemens Salesny · Ljubiša Tošić, “Inntöne-Festival: Session mit der Historie”, Der Standard online, 12 May 2016, quoted in Heckel 2024, p. 168 | 2016 | ||
| Quotation | „The four musicians on stage played so excellently with Pepl's legacy that, without knowing the story behind it and with your eyes closed …“Jazzpages (online), 19 May 2016 | 2016 | ||
| Quotation | „The great tenor saxophonist Hans Koller, a central figure of modern jazz in Europe, was also there at the time, and of course the guitarist …“Der Standard (RONDO), 10 June 2016; translated from the German | 2016 | ||
| Quotation | „The late grandmaster of impulsive improvisation“Ljubiša Tošić · Ljubiša Tošić from the INNtöne, Der Standard, 17 May 2016 (online), print edition 18 May 2016, p. 30; translated from the German | 2016 | ||
| Quotation | „The Melk jazz club dedicates a performance at the Tischlerei to the “giant of improvisation”.“Regional newspaper, Melk district, September 2016; translated from the German | 2016 | ||
| Quotation | „The saxophonist Clemens Salesny, for instance, chose an innovative approach to pay tribute to Harry Pepl, who died in 2005.“OÖ Nachrichten, 17 May 2016, p. 13; translated from the German | 2016 | ||
| Quotation | „the seven years with Airmail, the band of the guitarist Harry Pepl, who died in 2005“Die Presse (online), 19 May 2016, p. 1 | 2016 | ||
| Quotation | „Their bold homage to the late Harry Pepl was an artistic high-wire act“Samir H. Köck · On the homage by Agnes Heginger and Clemens Salesny at the Inntöne festival; “Resch, renitent: Der Sound des Sauwalds”, Die Presse, Tuesday 17 May 2016, p. 20; translated from the German | 2016 | ||
| Quotation | „There are, however, ways of engaging with history that yield delicate results. A formidable example can be experienced on Saturday at the …““Inntöne-Festival: Session mit der Historie”, Der Standard (online), 12 May 2016 | 2016 | ||
| Quotation | „There is nothing at all to say that could even come close to capturing this late, magnificent Pepl spectacle.“Alexander Schmitz, Jazzpodium, 2016; translated from the German | 2016 | ||
| Quotation | „They dedicate their concert to an Austrian jazz legend: the jazz guitarist and composer Harry Pepl.“Oberösterreichisches Volksblatt, 17 May 2016, p. 14; translated from the German | 2016 | ||
| Quotation | „which now brings the name of the great Viennese guitarist Harry Pepl back into public awareness with a project of equal stature“Alexander Schmitz, Jazzpodium, 2016; translated from the German | 2016 | ||
| Chronology | “The Balsam Project” on “Faces And Stories”2016 · Recordings | 2016 | ||
| Press | „Harry Pepl & Clemens Salesny, Martin Bayer, Peter Primus Frosch, Agnes Heginger, Fullmax15-01 CD“Jazzpodium · Alexander Schmitz · Review | 2016 |
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| Press | „Drei Tage Jazz: Neustart und Erinnerungen“Salzburger Nachrichten · Heinz Bayer · Report | 20 Jan 2016 | ||
| Press | „Inntöne-Festival: Session mit der Historie“Der Standard (Online) · Report | 12 May 2016 | ||
| Chronology | INNtöne Jazz Festival 201614 May 2016 · Diersbach · Concerts | 14 May 2016 | ||
| Press | „Resch, renitent: Der Sound des Sauwalds“Die Presse (Online) · Samir H. Köck · Report | 16 May 2016 | ||
| Press | „Da ist er wieder, dieser Zauber“Passauer Neue Presse · Dorothea Walchshäusl · Review | 17 May 2016 | ||
| Press | „Die Inntöne begeisterten als Jazz-Reigen mit einem Klavierwunder“OÖ Nachrichten · Christoph Haunschmid · Review | 17 May 2016 | ||
| Press | „Inntöne: Expressive Gelassenheit“ (Al Foster und das Harry-Pepl-Projekt)Der Standard (Online) · Ljubiša Tošić · Review | 17 May 2016 | ||
| Press | „Jazz & andere Genüsse beim Festival INNtöne“Oberösterreichisches Volksblatt · Josef Gebetsroither · Report | 17 May 2016 | ||
| Press | „INNtöne 2016 – Rückschau mit Bildern“Jazzpages (Online) · Frank Schindelbeck · Review | 19 May 2016 | ||
| Press | „Kärntner Jazzer mit langem Atem“Die Presse (Online) · Samir H. Köck · Interview | 19 May 2016 | ||
| Press | „Der jazzverwandte Kosmopolit“Kleine Zeitung · Otmar Klammer · Interview | 20 May 2016 | ||
| Press | „Jazz au Trésor: Benny Goodman: Berlin 1980“France Musique (Radio France), „Jazz au Trésor“ · Alex Dutilh · Radio | 30 May 2016 | ||
| Chronology | “Pepl Reloaded” at the Bruckner University Linz10 June 2016 · Linz · Concerts | 10 Jun 2016 | ||
| Press | „Wolfgang Puschnig: Faces and Stories“Der Standard (RONDO) · Review | 10 Jun 2016 | ||
| Press | Christian Muthspiels Werner-Pirchner-Hommage beim Jazzfestival Saalfelden 2015Ö1, „On Stage“ (Programmhinweis der Wiener Zeitung) · Andreas Felber · Radio | 14 Jul 2016 | ||
| Press | Clemens Salesnys und Agnes Hegingers Harry-Pepl-Projekt bei den Inntönen 2016Ö1, „Die Ö1 Jazznacht“ (Programmhinweis der Wiener Zeitung) · Christian Bakonyi · Radio | 3 Sep 2016 | ||
| Chronology | Ö1 Jazznacht broadcasts the Pepl project from the INNtöne3 September 2016 · Vienna · Media | 3 Sep 2016 | ||
| Press | „Tribut an Harry Pepl“NÖN (Niederösterreichische Nachrichten) · Other | 13 Sep 2016 |
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| Chronology | “A tribute to Harry Pepl” at the Tischlerei Melk23 September 2016 · Melk · Concerts | 23 Sep 2016 | ||
| Chronology | “Vienna Roomservice” at the Porgy & Bess24 September 2016 · Porgy & Bess, Vienna · Concerts | 24 Sep 2016 | ||
| Literature | The Development of the Austrian Jazz Scene and Its Identity 1960–1980Christa Bruckner-Haring · European Journal of Musicology 16/1 (2017), p. 136 to 157, DOI 10.5450/ejm.2017.16.5784 · Bern | 2017 | ||
| Quotation | „Check out “Cracked Mirror” to hear how his playing in 1988 sounds fresh even today.“Guitar Moderne (online), 18 December 2017 | 2017 | ||
| Quotation | „Depending on the piece, the Roland MIDI guitar system creates a synthesizer-like expanse.“kudojazz in ジャズCDの個人ページ ECM Blog (Japanese blog on ECM records), 25 November 2017; translated from the Japanese | 2017 | ||
| Quotation | „first classical guitar with Leo Witoszynskyj, then jazz with Harry Pepl as well“Kronen Zeitung, 12 July 2017, p. 36; translated from the German | 2017 | ||
| Quotation | „His chorused sound and fluidity were reminiscent of Metheny, but his attack was harder and his sensibility was decidedly more “out.”“Guitar Moderne (online), 18 December 2017 | 2017 | ||
| Quotation | „I was never a good student either; the only teacher who could teach me anything was Harry Pepl. And he gave me a spirit to take with me“Andy Manndorff · Salzburger Nachrichten (online, APA), 11 September 2017 | 2017 | ||
| Quotation | „Manndorff had studied with the legendary Viennese guitarist Harry Pepl“Kurier, 12 September 2017, p. 26; translated from the German | 2017 | ||
| Quotation | „The musicians play works by the composers Harry Pepl and Werner Pirchner, who died early.“Ö1 (oe1.orf.at, article), 8 April 2017, p. 1 | 2017 | ||
| Quotation | „There are passages that sound like free improvisation and passages that are pastoral.“kudojazz in ジャズCDの個人ページ ECM Blog (Japanese blog on ECM records), 25 November 2017; translated from the Japanese | 2017 | ||
| Literature | „Those were the days“. Salzburgs populäre Musikkulturen der 1950er und 1960er JahreThomas Hochradner, Sarah Haslinger (Hg.) · Wien: Hollitzer Wissenschaftsverlag 2017 · Vienna | 2017 | ||
| Quotation | „together with Harry Pepl in the legendary JazzZwio“Ö1 (oe1.orf.at, article), 10 October 2017, p. 1 | 2017 |
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