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Harry Pepl * 1945  † 2005

Chronology

Life and work year by year. Every entry is documented; we welcome additions and corrections.

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1990s

  1. 7 February 1990

    Presentation concert for “Schönberg Improvations”

    Vienna

    At the Wiener Konzerthaus, one of Vienna’s two great concert halls, Wolfgang Puschnig and Wolfgang Reisinger played live along with the self-playing grand piano; Pepl operated only the sustain pedal.

    Concerts

  2. 14 July 1990

    “What It Is” with Thomas Pernes at the Wiesen jazz festival

    Wiesen

    At the Wiesen jazz festival on Saturday, 14 July 1990, Pepl played in the “Special Project” of the composer Thomas Pernes with Wolfgang Puschnig and Wolfgang Reisinger. The Art Ensemble of Chicago, the Bill Frisell Group and the Michael Brecker Band were on the bill the same day. With “What It Is”, Pernes wanted to overcome the narrowness of styles and boundaries.

    Concerts

  3. 4 August 1991

    Opening concert of the Lower Austrian Jazz Academy with Jamaaladeen Tacuma

    Zeillern

    On Sunday, 4 August 1991, Pepl opened the Lower Austrian Jazz Academy in the courtyard of Zeillern Castle in a quartet with Jamaaladeen Tacuma, Alex Deutsch and Johannes Enders. Beforehand he told Der Standard, a Vienna daily, it might become „eine ganz freie Angelegenheit“ [“an entirely free affair”].

    Concerts

  4. November 1991

    Closing concert of the ZeitgeNÖssischer Herbst

    Lower Austria

    The third concert series “ZeitgeNÖssischer Herbst” of the state of Lower Austria (20 September to 28 November 1991, around 11,000 visitors) ended with a highly successful concert by Pepl. Der Standard, a Vienna daily, counted the closing concert among the highlights.

    Concerts

  5. June 1992

    Harry Pepl Quartet at the Knitting Factory

    New York

    In early June 1992, shortly before the recording of “N.Y.C. Impressure”, the quartet played at the Knitting Factory (New York music club for jazz and the avant-garde) in New York. The club's invitation gives 2 June, Nikolaus Kohler the day before the recording.

    Concerts

  6. 7 June 1992

    Harry Pepl Group at the Raab jazz festival

    Raab, Upper Austria

    On Whit Sunday, 7 June 1992, the Harry Pepl Group played its new programme at the jazz festival in Raab in the Innviertel, on the same evening as Wolfgang Puschnig’s “Alpine Aspects” and Ronnie Burrage’s band.

    Concerts

  7. 17 July 1992 to 18 July 1992

    Pori Jazz Festival with John Purcell’s Blue Brass Connection

    Pori, Finland

    At the 27th Pori Jazz Festival in Pori, Finland, one of the oldest jazz festivals in Europe, Pepl plays in the band listed in the festival archive as “John Purcell´s Blue Brass Connection”: with the Upper Austrian trombonist Paul Zauner, whose Blue Brass Connection had been touring with US jazz musicians since 1985, and with John Purcell, Graham Haynes, Ron Burton, Kenny Davis and Ronnie Burrage. The archive lists three performances: on Friday, 17 July 1992, on the main stage at Kirjurinluoto, in a programme starting at 5 pm that the archive also lists for Ringo Starr and His All Starr Band, in the evening at the Village Gate, and on Saturday, 18 July 1992, at the Nuorisokeskus, the youth centre. A few months later Purcell, Davis, Burrage, Zauner and Pepl formed the core of Abstract Truth.

    Concerts

  8. 12 August 1992

    Faculty concert of the Lower Austrian Jazz Academy

    Zeillern

    At the Lower Austrian Jazz Academy at Zeillern Castle (9 to 15 August 1992), Pepl played in the faculty concert (“Jazzakademie All Stars”) on Wednesday, 12 August, with Claus Stötter, Bobby Dodge, Martin Fuss, Joris Dudli and Ines Reiger. The Kurier, a Vienna daily, called him the „Gitarrenguru der österreichischen Jazzszene“ [“guitar guru of the Austrian jazz scene”].

    Concerts

  9. 31 October 1992

    Frankfurt-Wien-Connection at the Deutsches Jazzfestival Frankfurt

    Frankfurt am Main

    At the 24th Deutsches Jazzfestival Frankfurt (Germany’s oldest jazz festival, organised by the public broadcaster Hessischer Rundfunk) the Frankfurt-Wien-Connection plays the second concert in the Bockenheimer Depot on Saturday, 31 October 1992: Harry Pepl (guitar), Stefan Lottermann (trombone), Michael Riessler (bass clarinet), Claus Stötter (trumpet), Bob Harrison (bass) and François Laizeau (drums), with compositions by Pepl. The hr produces the recording itself and, according to its archive, broadcasts it on hr2 the same day. Details from the database extract of the hr media archive (case AS_2026_0421, Tuesday, 20 October 2026); the copy of the recording remains in the family archive.

    Concerts

  10. May 1993

    Air Mail re-forms

    Vienna

    In May 1993 Air Mail performed again after a long break, at the Vienna jazz venue Reigen with Wolfgang Puschnig, Harry Pepl, Wolfgang Reisinger and Palle Danielsson. Der Standard, a Vienna daily, wrote that almost everything this country had to offer in jazz of international quality was gathered there. The concert at the Raab jazz festival followed at the end of May.

    Concerts

  11. 5 May 1993

    Concert in the former synagogue in St. Pölten

    St. Pölten

    On Wednesday, 5 May 1993, Pepl played in the former synagogue in St. Pölten with John Purcell, Paul Zauner, Jeff Andrews and Ronnie Burrage, a line-up from the circle of Abstract Truth.

    Concerts

  12. 28 May 1993 to 30 May 1993

    Last Air Mail concert in Raab

    Raab, Upper Austria

    At the Whitsun jazz festival in Raab (Friday, 28, to Whit Sunday, 30 May 1993), later known as INNtöne (jazz festival in Diersbach, Upper Austria), Air Mail played for the last time, with Jean-Paul Celea on bass (Palle Danielsson had been announced) and the piece “Dinozzo”. Shortly before, the band had re-formed after a long break at the Reigen in Vienna. A professional recording exists.

    Concerts

  13. 23 September 1993 to 25 September 1993

    “Die Innviertler Seele” at the Festival der Regionen

    Aspach, Obernberg, Zell an der Pram

    For Paul Zauner’s project “Die Innviertler Seele” at the Festival der Regionen (Upper Austrian arts festival), George Lewis, Gene Jackson, Harry Pepl and Christian Radovan met Innviertel zither music and a traditional brass band: on Thursday, 23 September 1993, at the Gasthof Zwink in Aspach, on the 24th in the multi-purpose hall in Obernberg and on the 25th at Zell an der Pram Castle.

    Concerts

  14. 1994

    Concerts with Labarrière, Jackson and Mitterer

    Kyiv, Graz, Vienna

    Harry Pepl plays one of his last concert series with Hélène Labarrière (double bass), Gene Jackson (drums) and Wolfgang Mitterer (synthesizer), among other places in Kyiv (Ukraine), there according to Mitterer also with Paul Zauner, probably in Slovakia, in Graz with Wolfgang Puschnig and at Porgy & Bess (Vienna jazz club) in Vienna. No recording has survived in the family archive; of the Graz concert at the Graz Meeting, the Austrian Mediathek holds a recording that can only be heard on site.

    Concerts

  15. 18 April 1994

    “Porträt Harry Pepl” at the Porgy & Bess

    Vienna

    In the portrait series of the Vienna jazz club Porgy & Bess, Pepl was presented on several evenings in mid-April 1994. On Monday, 18 April, he played solo in the first part, then with Gene Jackson (drums) and Wolfgang Mitterer (keyboards).

    Concerts

  16. 20 April 1994

    Harry Pepl Quartet at the Graz Meeting “Strings”

    Graz

    At the third Graz Meeting (jazz festival of the Graz music academy and gamsbART, dedicated to string instruments in 1994), the Harry Pepl Quartet with Wolfgang Puschnig played at the Orpheum, a concert venue in Graz, on Wednesday, 20 April 1994, on the same evening as Derek Bailey, Dieter Glawischnig’s Cercle and the double bass duo Ewald Oberleitner and Wayne Darling. The Österreichische Mediathek (Austrian Mediathek), Austria’s archive of sound and video recordings at the Technisches Museum Wien, holds an unreleased recording of the concert and the broadcast “Aus dem Konzertsaal: Graz Meeting 1994” by Ö1, ORF’s cultural radio station, featuring the quartet, both on cassette and available only on site; the catalogue does not name the other musicians.

    Concerts

  17. 22 May 1994

    Duo with Jack DeJohnette at the Innviertel jazz festival

    Raab, Upper Austria

    On Whit Sunday, 22 May 1994, Pepl played a duo on guitar synthesizer with Jack DeJohnette, switching between piano and drums, in the Rothuberhalle in Raab. The Kronen Zeitung, Austria’s largest-circulation daily, Der Standard and the Salzburger Nachrichten singled out the duo. The Slovak music magazine “Hudobný život” also lists the duo in June 1994 among the festival’s performances, alongside the Brecker Brothers, the Dave Holland Quartet and David Murray.

    Concerts

  18. 31 July 1994

    Opening concert of the Lower Austrian Jazz Academy with the Harry Pepl Quartet

    Zeillern

    To open the sixth Lower Austrian Jazz Academy, the Harry Pepl Quartet played at Zeillern Castle on Sunday, 31 July 1994, at 9 pm, with Claus Stötter (trumpet) and Jojo Mayer (drums) among others. Pepl taught guitar there until 6 August.

    Concerts

  19. 5 November 1994

    With Harry Sokal and Friedrich Gulda at the Brucknerhaus Linz

    Linz

    On Saturday, 5 November 1994, after “A night with Friedrich Gulda”, “The Harry Sokal Quartet feat. Harry Pepl” played at 10 pm in the Brucknersaal of the Brucknerhaus Linz, with Friedrich Gulda as guest.

    Concerts

  20. 12 November 1995

    Abstract Truth at the Reigen in Vienna

    Vienna

    As part of Johannes Kunz’s Vienna “Jazz-Herbst”, Abstract Truth with Harry Pepl was announced for the Reigen on Sunday, 12 November 1995, together with the Archie Shepp Quartet (announced by APA, trend and Kronen Zeitung, Austria’s largest-circulation daily; no report of the concert is known, and Daniel Pepl has questioned the year). A concert by the band scheduled for Tuesday, 24 October, at the WIST in Graz had been cancelled.

    Concerts

  21. 5 December 1997 to 6 December 1997

    INNtöne Festival with Michel Portal

    Zell an der Pram

    According to Daniel Pepl, once he had withdrawn from the stage after 1994, there were no more planned concerts of his own. At the INNtöne festival weekend (Paul Zauner's festival of contemporary music) on Friday, 5, and Saturday, 6 December 1997, in the baroque hall of Zell an der Pram Castle, Upper Austria, he nevertheless took part in the changing line-ups; the previews had announced him by name. On the Friday, according to the OÖ Volksblatt, an Upper Austrian daily, he played “first on the piano, then on the drums”, together with the trumpeter Franz Hackl; on the Saturday he joined the group around Michel Portal and Stephen Kent, with Wolfgang Reisinger on drums and Steve Shehan on percussion. Whether he also played guitar remains open: in its preview the Wiener Zeitung, the Vienna daily founded in 1703, had written, in connection with his new CD on PAO Records: “Pepl is not playing guitar but piano”. The OÖ Volksblatt, by contrast, lists “piano, guitar” for the Saturday, and the OÖ Nachrichten, another Upper Austrian daily, wrote that “as a string player” he had created “fabulous special moments” with Portal. Toninho Horta and Alvin Batiste also played at the festival. It was his last concert appearance covered by reviews.

    Concerts