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| Collection | Entry | Year | Identifier | Open and work with |
|---|---|---|---|---|
| Quotation | „were back then attuned to each other in the most original improvising way. Their “Gegenwind” album now turns out to be a collector’s item.“Wolfgang Gratzer · On Pepl and Pirchner and the album “Gegenwind”; “Könnte Jazz sein”, Salzburger Nachrichten, Saturday 19 August 1995; translated from the German | 1995 | ||
| Quotation | „were, in their day, attuned to one another in the most original improvising manner“Salzburger Nachrichten, 19 August 1995; translated from the German | 1995 | ||
| Quotation | „When playing the piano I enjoy great freedom. Unburdened by profession and pigeonhole, I can be completely absorbed in the sound of the …“Harry Pepl · Booklet for the piano album “Consequence”, 1995, quoted in Kohler 2006, p. 129 | 1995 | ||
| Chronology | End of teaching at the University of Music and Performing Arts Graz (KUG)1995 · Graz · Teaching | 1995 | ||
| Chronology | Home studio in Hernstein: the Lonely Single Swinger Band1995 · Hernstein · Ensembles | 1995 | ||
| Press | „Könnte Jazz sein“ (Neues von Österreichern)Salzburger Nachrichten · Wolfgang Gratzer · Review | 19 Aug 1995 | ||
| Chronology | Piano album “Consequence”November 1995 · Vienna · Recordings | 1995 | ||
| Press | Plattenkritik zu „Abstract Truth - Beginnings“Kronen Zeitung (p. 26) · initials „CT“ (vermutlich Chris Thommark) · Review | 5 Nov 1995 | ||
| Chronology | Abstract Truth at the Reigen in Vienna12 November 1995 · Vienna · Concerts | 12 Nov 1995 | ||
| Work | 2 KlavierpianosHarry Pepl · piano piece (real-time composition) · piano | 1996 | HP-W-0002 | |
| Work | 3 MoHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0004ISWC T0013307680 | |
| Project | Altenberg Trio WienPremiere of “Exzentrik Egometrik” at the steirischer herbst 1996 · 1996 | 1996 | ||
| Photo | At the Steinway in the Brahms Hall of the Vienna Musikverein, 1996Cover: PAO Records | 1996 | ||
| Work | Beauty HopHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0015ISWC T0012118830 | |
| Listening copy | Benny Goodman: Harry Pepl's Blues (Berlin 1980, 1996)TCB Records, 1996 | 1996 |
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| Literature | Benny Goodman: Wrappin' It UpD. Russell Connor · Lanham, Md.: Scarecrow Press 1996 (Studies in Jazz, 23), xxxi, 179 S., ISBN 0-8108-3102-3 · Lanham | 1996 | ||
| Releases | Berlin 1980Benny Goodman · TCB Records TCB 43022 · CD | 1996 | HP-T-0055TCB 43022 | |
| Work | Draufer und drüberHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0044ISWC T0012118783 | |
| Literature | Eintrag zu Harry Pepl, S. 229 bis 230Moschner und Teufert · Margarethe Moschner, Helmut Teufert: Die Komponisten des Industrieviertels und ihre Musik, hg. vom Industrieviertelmuseum Wiener Neustadt, Wiener Neustadt: Weilburg-Verlag 1996, 407 S.; entry Pepl p. 229 to 230 · Wiener Neustadt | 1996 | ||
| Work | Exzentrik EgometrikHarry Pepl · ballet music · piano, violin, cello and playback (electronics); with texts by Thomas Bernhard (Desperato, Agitato) | 1996 | HP-W-0051 | |
| Work | Fast MailHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0053ISWC T0012118807 | |
| Releases | FlowHarry Pepl · PAO Records CD 10140-2 · CD | 1996 | HP-T-0056CD 10140-2 | |
| Work | FlowHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0058ISWC T0012118829 | |
| Work | GlustaHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0070ISWC T0012118794 | |
| Work | Grace and GaryHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0073ISWC T0013307668 | |
| Listening copy | Harry Pepl: Beauty Hop (Flow, 1996)PAO Records, 1996 | 1996 |
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| Work | Improv 2Harry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0091ISWC T0012118818 | |
| Literature | Jazz de J à ZZGuy Le Querrec, Philippe Carles · Paris: Marval 1996, 224 S. mit Fotografien, ISBN 2-86234-218-1; Nennungen p. 87 und 122 · Paris | 1996 | ||
| Work | Man könnte Klavierspielen müssenHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0113ISWC T0013307679 | |
| Work | One Note BasicHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0128ISWC T0013307657 | |
| Work | Silent WaterHarry Pepl · piano piece (real-time composition) · solo piano | 1996 | HP-W-0156ISWC T0013307691 | |
| Literature | Sleeves of Desire. A Cover StoryECM (Hg.), Konzeption Manfred Eicher u. a. · Baden (Switzerland): Lars Müller Publishers 1996, ISBN 3-906700-85-2 · Baden | 1996 | ||
| Literature | The Guitar in Jazz. An AnthologyJames Sallis (Hg.) · Lincoln: University of Nebraska Press 1996, ISBN 0-8032-4250-6 · Lincoln | 1996 | ||
| Releases | The Music Of Extraplatte – Vienna/Austria Extra Jazz '95/96Various (Track 14: Harry Pepl Quartet) · Extraplatte EX-316 159-2 · CD (compilation) | 1996 | HP-T-0057EX-316 159-2 | |
| Quotation | „3 Mo stands for mothy, momenty, minory. Mothy because the music sounds as if the moths are waiting to pounce.“Harry Pepl · On his piano piece “3 Mo”, quoted by Georg Pepl in the liner notes to “Flow” (PAO Records CD 10140-2, 1996), English version by Stephen Ferguson in the booklet | 1996 | ||
| Quotation | „For it was in Kufstein, exactly 20 years ago, that he also gave his first concert as a vibraphonist with the JazzZwio, together with Harry …“Tiroler Tageszeitung, culture section, 25 April 1996; translated from the German | 1996 | ||
| Quotation | „For me, art is not a game but the last place of transcendence.“Harry Pepl · Own statement 1996, quoted in Günther 1997, p. 824 (also given as “Bernhard 1997” in Kohler 2006), and in Kohler 2006, p. 135 | 1996 | ||
| Quotation | „Genre boundaries and purity of style matter very little to me. Nevertheless, the core of my aesthetics is not postmodern. For me art is not …“Harry Pepl · Harry Pepl 1996, quoted in Bernhard 1997, p. 824, and Kohler 2006, p. 135 | 1996 | ||
| Quotation | „Harry Pepl is a musician who hears. He has that seldom gift–to immediately translate what he hears into music coming from his own fingers …“Stephen Ferguson · Liner notes to “Flow” (Harry Pepl, piano; PAO Records CD 10140-2, 1996) | 1996 | ||
| Quotation | „Harry Pepl’s “Exzentrik - Egometrik” will receive its premiere.“Der Standard, 18 October 1996; translated from the German | 1996 | ||
| Quotation | „has come to the fore since 1984 as a composer of European contemporary art music“Information sheet (press material, 5 pages), 1996, p. 3 | 1996 | ||
| Quotation | „he is simply unafraid of any musical task, and has the jazz man’s joy of real time composition.“Stephen Ferguson · Liner notes to “Flow” (Harry Pepl, piano; PAO Records CD 10140-2, 1996) | 1996 | ||
| Quotation | „his very own instrument–the guitar–where he is one of Europe’s undisputed jazz masters“Stephen Ferguson · Liner notes to “Flow” (Harry Pepl, piano; PAO Records CD 10140-2, 1996) | 1996 | ||
| Quotation | „I believe in the absolute: in the truth in which all opposites coincide.“Harry Pepl · Own statement 1996, quoted in Günther 1997, p. 824 (also given as “Bernhard 1997” in Kohler 2006), and in Kohler 2006, p. 135 | 1996 | ||
| Quotation | „It is a dream played awake, full of snatches of music, gestures, spaces.“Stephen Ferguson · Liner notes to “Flow” (Harry Pepl, piano; PAO Records CD 10140-2, 1996), on Pepl’s twelve pieces at the piano | 1996 | ||
| Quotation | „Just looking at the titles of his pieces one recognises that Pepl is a deeply musical and romantic artist. Musically his playing is related …“Georg Pepl · Liner notes to “Flow” (Harry Pepl, piano; PAO Records CD 10140-2, 1996), English version by Stephen Ferguson in the booklet | 1996 | ||
| Quotation | „Let us simply enjoy the novelty and richness of this master of the strings becoming a novice at the keyboard, a masterly novice full of …“Stephen Ferguson · Liner notes to “Flow” (Harry Pepl, piano; PAO Records CD 10140-2, 1996), closing lines | 1996 | ||
| Quotation | „Richly coloured, electronically supported expression with an enormous range“Kronen Zeitung, 26 February 1996, p. 16; translated from the German | 1996 | ||
| Quotation | „The improvising pianist flows out into the world of tones, the piano player melts into oneness with the piano, desists in his identity as a …“Georg Pepl · Liner notes to “Flow” (Harry Pepl, piano; PAO Records CD 10140-2, 1996), English version by Stephen Ferguson in the booklet | 1996 | ||
| Quotation | „this introduction also contained a shock for guitarist Harry Pepl as Benny announces a guitar solo“Tony Middleton · Liner notes to Benny Goodman, “Berlin 1980” (TCB Records, 1996), on Goodman's unannounced call for a guitar solo at the Berlin Philharmonie, 7 and 8 November 1980, which gave rise to “Harry Pepl's Blues”; quoted from Kohler 2006, p. 54 | 1996 |
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