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Harry Pepl * 1945  † 2005

Chronology

Life and work year by year. Every entry is documented; we welcome additions and corrections.

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1980s

  1. 1980s

    Guitar duo with Christy Doran in Switzerland

    Switzerland

    In the early 1980s, according to the family, Pepl plays in Switzerland in a guitar duo with the Lucerne guitarist Christy Doran, then the leading figure of the jazz rock band OM. Doran lists Pepl among his duo partners in his biography, and Pepl himself later recalled playing with him in Switzerland. Dates and venues have not come down to us. An unreleased tape recording of the duo, about 98 minutes long, is in the sound archive for signed-in users.

    Concerts

  2. 23 March 1980 to 25 March 1980

    Concerts with the Vienna Art Orchestra

    Vienna, Zurich, Basel

    With the Vienna Art Orchestra, the Viennese jazz big band led by Mathias Rüegg, Pepl played in Vienna (Jazzspring), Zurich and Basel; in June 1980 the “Concerto Piccolo” tour of Austria followed.

    Concerts

  3. 14 June 1980 to 15 June 1980

    Pirchner/Pepl Duo at the Festival for Contemporary Music in Neuwied

    Neuwied

    On Saturday 14 and Sunday 15 June 1980, Werner Pirchner, the Austrian composer and vibraphonist, and Harry Pepl play as the Pirchner/Pepl Duo, the Jazzzwio, at the 3rd Festival for Contemporary Music in the Engers sports hall in Neuwied (Rhineland-Palatinate, Germany). The same poster lists Albert Mangelsdorff, the Gary Burton Quartet, OM & Manfred Schoof, the Pat Metheny Group, Egberto Gismonti, the Contact Trio, the duo Fryderyk/Gurtu, the Ch. Spendel Quartet and Piirpauke. In 1982 Pirchner and Pepl returned to Neuwied with Jack DeJohnette.

    Concerts

  4. September 1980

    Jack DeJohnette sits in spontaneously at Saalfelden

    Saalfelden

    At the Jazzfestival Saalfelden (major jazz festival in the Salzburg region of Austria), Jack DeJohnette stepped onto the stage during a performance by the Jazzzwio, Pepl's duo with the Austrian composer and vibraphonist Werner Pirchner, and played along spontaneously. A tape of the session with more than an hour of music survives in the estate; Pepl noted the year 1980 on it. Among other things, it features Pirchner's “Hos'nt Raga” and an intro with DeJohnette at the piano.

    Concerts

  5. 7 November 1980 to 8 November 1980

    Concerts with Benny Goodman in Berlin

    Berlin

    Pepl played two concerts at the Berlin Philharmonie with Benny Goodman, Don Haas, Peter Witte and Charly Antolini. Goodman announced a guitar solo without warning, and from it “Harry Pepl's Blues” arose spontaneously. According to a letter of 15 November 1980 from Goodman's manager Kurt A. Müller, Goodman “really got going” during Pepl's solo at the start of the second concert and was “full of praise” afterwards. Chancellor Helmut Schmidt, in whose honour the concerts were held according to family tradition, attended the first concert. The recording was released in 1993 on “B.G. World-Wide” and in 1996 as “Berlin 1980”.

    Concerts

  6. 12 July 1981

    Jazzzwio at the Montreux Jazz Festival

    Montreux

    Pepl was called to the telephone in Graz during a lesson and agreed to appear at the guitar festival in Montreux, but as a duo with Pirchner. The concert on Sunday 12 July 1981 is regarded as the first big step in Pepl's international career. The live recording was released as an LP on WEA. Billboard, the US music trade magazine, listed Pepl on Saturday, 27 June 1981, in the programme of this guitar day alongside James “Blood” Ulmer, Biréli Lagrène, Lee Ritenour and Larry Coryell.

    Concerts

  7. 4 September 1981

    Benny Goodman at the Tivoli, Copenhagen

    Copenhagen

    For a television show at the Jazzhus Slukefter, Pepl played with Goodman, Jimmy Maxwell, Svend Asmussen, Don Haas, Peter Witte and Charly Antolini. Goodman later sent him a photo with the dedication “for Harry, a great guitarist”. In 2006 the Porgy & Bess (Vienna jazz club) dated the concert film to 1980.

    Concerts

  8. 17 October 1981

    Donaueschingen with the Vienna Art Orchestra

    Donaueschingen

    At the Donaueschingen Music Days, one of the oldest festivals of contemporary music (since 1921), in Germany, Pepl plays on Saturday, 17 October 1981, at 8.30 pm in the Donauhalle in the SWF Jazz Session “Jonny tritt ab, keine Jazz-Oper für Stimmen und Instrumente in zwei Teilen” (Jonny Exits, no jazz opera for voices and instruments in two parts) by Mathias Rüegg, with the Vienna Art Orchestra, the Viennese jazz big band, the Stadtkapelle Radolfzell, a town band, the singers Karin Krog, Lauren Newton and Maggie Nicols and John Surman (saxophone). The producer was Joachim-Ernst Berendt, jazz editor of Südwestfunk (SWF), the public broadcaster for south-western Germany, who founded the New Jazz Meeting in Baden-Baden in 1966. It is the last traceable collaboration with the Vienna Art Orchestra. Kohler dates the evening to 1982, the festival archive to 1981.

    Concerts

  9. 6 November 1981

    Jazzfest Berlin

    Berlin

    On Friday, 6 November 1981, at 11 pm the Jazzzwio with Werner Pirchner, the Austrian composer and vibraphonist, plays at the Jazz Fest Berlin at the Metropol in Berlin, Germany, on a double bill with Defunkt; this is how the Berliner Festspiele announced it in the Hamburg music magazine Sounds. The first piece is called “Berlin '81, die Erste”. The set list of eight pieces, among them “Gegenwind”, “Homesick” and “White Smoke”, with their durations (around 85 minutes in all) is preserved by the Rockpalast archive, a private fan archive on Rockpalast, the music programme of WDR television (West German Broadcasting); it lists the evening among the Rockpalast recordings at the Metropol from 3 to 8 November 1981, with U2, John Scofield and James Blood Ulmer. A radio recording of the concert survives in the estate; whether the television recording was broadcast and survives is open.

    Concerts

  10. 1 April 1982

    Austria Drei in Graz

    Graz

    Concert at the Studentenhaus Münzgraben with Michael Di Pasqua on drums, after which the trail of the band, as far as it can be reconstructed, goes cold.

    Concerts

  11. 1 October 1982

    Ars Electronica: “Jazz und Elektronik” (Jazz and Electronics)

    Linz

    At the Ars Electronica evening “Jazz und Elektronik” in the Great Hall of the Brucknerhaus in Linz, Pepl plays in the Ars Electronica Workshop Ensemble with François Jeanneau, Wolfgang Dauner, Jasper van't Hof, Adelhard Roidinger and Daniel Humair; Alphonse Mouzon's quartet also performs. The programme calls Pepl “one of the leading jazz guitarists in Europe”.

    Concerts

  12. October 1982

    Jazzzwio at the Student Centre in Zagreb

    Zagreb, Croatia

    In October 1982 the Jazzzwio plays in the music salon of the Student Centre in Zagreb (Croatia, then part of Yugoslavia). In February 1983 the critic Miro Križič writes in the Slovenian music magazine “Glasbena mladina” that the combination of the prepared vibraphone, from which Werner Pirchner, the Austrian composer and vibraphonist, drew “incredible sounds full of vibrating sensitivity”, with the modern guitar created “a wealth of musical ideas, rhythms and brilliant improvisations” (translated from the Slovenian). The day of the concert is not recorded.

    Concerts

  13. 2 October 1982

    German Jazz Festival Frankfurt

    Frankfurt am Main

    Pepl and Pirchner played in the Großer Saal of the Alte Oper, including titles such as “Wiener essen Frankfurter”.

    Concerts

  14. 27 October 1982

    Jazzzwio at ŠKUC in Ljubljana

    Ljubljana, Slovenia

    For Wednesday, 27 October 1982, at 7 pm, ŠKUC, the Student Cultural Centre in the old town of Ljubljana (Slovenia, then part of Yugoslavia), announces a concert by the Jazzzwio, organised together with the Austrian Cultural Institute in Zagreb: Pepl on electric and acoustic guitar, Werner Pirchner, the Austrian composer and vibraphonist, on tenor vibraphone and marimba. The Slovenian daily “Delo” prints the announcement on the day before and on the day of the concert.

    Concerts

  15. 30 October 1982

    Steirische Herbst Band at the ISCM World Music Days

    Graz

    At the World Music Days of the International Society for Contemporary Music (ISCM), held in Graz, Austria, in 1982 as part of the steirischer herbst festival, Pepl plays in the Steirische Herbst Band under Erich Kleinschuster, the Austrian jazz trombonist: on Saturday, 30 October 1982, at 10 pm in the Saal Steiermark of the Graz Congress, in the same slot as the Vienna Art Orchestra under Mathias Rüegg. The band includes, among others, Werner Pirchner, the Austrian composer and vibraphonist, Christian Muthspiel, Hans Koller, the Austrian saxophonist and pioneer of European jazz, Eje Thelin, Leszek Zadlo, Adelhard Roidinger, Karlheinz Miklin, Harald Neuwirth, Wayne Darling and Erich Bachträgl. Until 4 November the band appears four more times in the exhibition hall of the Congress; whether Pepl played every time is not documented individually.

    Concerts

  16. 22 November 1982

    The Jazzzwio opens the jazz series at the Kasper-Keller in Linz

    Linz

    On Monday, 22 November 1982, a jazz series that would last 35 years begins at the Kasper-Keller beneath the Café Jentschke in Linz (Upper Austria, Austria): for the first evening the landlord Hans Peter Kasper books the “Zwio” of Werner Pirchner, the Austrian composer and vibraphonist, and Harry Pepl.

    Concerts

  17. December 1982

    Bratislava Jazz Days

    Bratislava

    At the PKO Hall in Bratislava, Pepl played the standard “St. Thomas” with the formation “The International Conclave”; the live recording was released in 1983 on the double LP “Bratislava Jazz Days 1982”.

    Concerts

  18. 1983

    At the 1st Musikfest Bleiburg

    Bleiburg

    In 1983 Harry Pepl plays at the 1st Musikfest Bleiburg (Carinthia, Austria). 35 years later, on 15 November 2018, his music returns to Bleiburg with the Lonely Single Swinger Band at the Brauhaus Breznik.

    Concerts

  19. 30 May 1983

    “Daniel Humair and Friends” at the Théâtre de l'Atelier, Paris

    Paris, France

    On Monday, 30 May 1983, Pepl plays guitar in the concert “Daniel Humair and Friends” at the Théâtre de l'Atelier in Paris, France, which is recorded by Radio France (France's public radio broadcaster). According to the catalogue note of the INA (Institut national de l'audiovisuel, the French archive for radio and television), the other musicians are Daniel Humair (drums), Eric Le Lann (trumpet), Harry Sokal (alto saxophone), Joachim Kühn (piano), Werner Pirchner (vibraphone, percussion) and the bassists Mike Richmond and Dave Holland. The programme includes Pepl's “Good-bye, Baby Post”. It is the first concert evidence of his playing with Holland; two days later comes the International Jazz Session at the Musée d'art moderne.

    Concerts

  20. 1 June 1983 to 2 June 1983

    International Jazz Session at the Musée d'art moderne, Paris

    Paris, France

    On Wednesday 1 and Thursday 2 June 1983 the Musée d'art moderne de la Ville de Paris (the City of Paris's museum of modern and contemporary art) stages an “International Jazz Session” in two parts: the first features Joachim Kühn, the German pianist, Mike Richmond, the American bassist, Bennie Wallace and Daniel Humair, the Swiss drummer; the second features Harry Pepl, Harry Sokal, the Austrian saxophonist, and Werner Pirchner, the Austrian composer and vibraphonist.

    Concerts

  21. 22 January 1984

    Pirchner, Pepl, Di Pasqua concert in Salzburg

    Salzburg

    The poster “Jazz im Theater” announces Werner Pirchner, Harry Pepl and Michael Di Pasqua on Sunday 22 January 1984, 8 pm, at the Elisabethbühne Salzburg; the archive of Salzburg’s Jazzit lists the evening in its concert history, with Pirchner on vibraphone and marimba.

    Concerts

  22. 25 March 1984

    Jazzzwio in the Conservatory Hall, Innsbruck

    Innsbruck

    The Innsbruck live recording of Sunday 25 March 1984 forms the second part of the release “Live In Concerts”.

    Concerts

  23. 10 June 1984

    Michel Portal Plus at the Angoulême jazz festival

    Angoulême, France

    On Sunday, 10 June 1984 (Whit Sunday), Pepl plays at the jazz festival in Angoulême, France, in Michel Portal’s large line-up Michel Portal Plus, with Michel Portal, Harry Sokal, Joachim Kühn, Claude Barthélemy (electric bass), Jean-Paul Celea and Jean-François Jenny-Clark (double bass), Daniel Humair and Mino Cinelu. Radio France, the French public radio, records the concert; the programme includes a title “Pepl's theme”, and France Musique broadcasts “Mazurka” and “Angola” from it on 8 July 1985. On Whit Monday Pepl plays with Air Mail at the moers festival.

    Concerts

  24. 11 June 1984

    Air Mail in Moers

    Moers, Germany

    On Whit Monday, 11 June 1984, Air Mail plays at the Moers Festival (renowned festival for jazz and improvised music in North Rhine-Westphalia, Germany) in the ice rink hall, with the trumpeter Karl “Bumi” Fian as fifth man. The concert brings the band its breakthrough; in 1985 the debut “Prayer for Peace” is released on Moers Music. In 1986 the Gemeindeblatt für den Bezirk Landeck, a local paper in Tyrol, called the evening a “much-noticed international debut”.

    Concerts

  25. 21 June 1984

    NDR jazz workshop with the Family of Percussion in Hamburg

    Hamburg

    On Thursday, 21 June 1984, Pepl, Werner Pirchner, the Austrian composer and vibraphonist, and Steve Swallow play as guests of the Family of Percussion led by the Swiss drummer Peter Giger at NDR jazz workshop no. 191 in Studio 10 of the broadcasting house in Hamburg, Germany (NDR: Norddeutscher Rundfunk, public broadcaster for northern Germany). The programme includes Pepl's „Das Auge des Maulwurfs“ [“The Mole's Eye”]; the producer is Michael Naura.

    Concerts

  26. 23 September 1984

    Portal Unit at the Schlachthof in Graz

    Graz

    Pepl's first reconstructible concert with Michel Portal, George Lewis, Joachim Kühn, Jean-François Jenny-Clark and Daniel Humair. The concert on Sunday, 23 September 1984, in the former slaughterhouse was a guest performance of the steirischer herbst (festival of contemporary art in Styria, Austria) in the “Falso Loco” series; the festival archive names the ensemble “Michel Portal Unit featuring Harry Pepl”. Festivals in France followed.

    Concerts

  27. October 1984

    Jazz Jamboree in Warsaw

    Warsaw

    According to the family, Pepl plays at the international festival Jazz Jamboree in Warsaw, Poland, in October 1984 (25 to 28 October 1984); the festival poster later hung in his home studio. The Kleine Zeitung, a daily newspaper from Graz, in 1988 and his information sheet also list Warsaw among the places he performed; line-up and programme are not yet documented; probably with Wolfgang Puschnig, possibly also Harry Sokal (the family's assumption, not documented). According to the Gemeindeblatt für den Bezirk Landeck, a local paper in Tyrol, in 1986, a festival in Warsaw was part of Air Mail's international debut, along with Moers and Cologne; the paper gives no year.

    Concerts

  28. 27 October 1984

    Tenor Madness at the Festival de Jazz de Paris

    Paris, France

    On Saturday, 27 October 1984, Pepl plays at the Festival de Jazz de Paris, France, in Tenor Madness, a group with three tenor saxophonists: Daniel Humair (drums), Jean-François Jenny-Clark (double bass), Joachim Kühn (piano) and François Jeanneau, Harry Sokal and Larry Schneider (tenor saxophone). Radio France, the French public radio, records the concert; the Compagnie Lubat and the quartet of Jean-Louis Chautemps play the same evening.

    Concerts

  29. March 1985

    Austrian tour of the Jazzzwio with Don Moye

    Austria

    Don Moye of the Art Ensemble of Chicago expanded the Jazzzwio into a trio for a tour of Austria.

    Concerts

  30. 22 March 1985 to 23 March 1985

    Théâtre de la Ville, Paris

    Paris

    The Michel Portal Unit played as a quintet with Portal, Pepl, Jenny-Clark, Humair and Mino Cinelu. Further concerts followed at the Centre Pompidou and at the Paris Museum of Modern Art.

    Concerts

  31. 30 March 1985

    Air Mail at the Jazzspelunke

    Vienna

    On Saturday 30 March 1985 Air Mail, with Pepl, Wolfgang Puschnig, Mike Richmond and Wolfgang Reisinger, played at the Jazzspelunke in Vienna. A recording of this evening exists.

    Concerts

  32. 12 May 1985

    Concert at the Miles Smiles club

    Vienna

    On the Sunday before the flight to New York, the Jazzzwio played at short notice at the Miles Smiles club in Vienna, with the drummer Georg Polansky. The live recording was released on CD in 2003.

    Concerts

  33. 15 May 1985

    New York: “Beyond the Sound of Music”

    New York

    On Wednesday 15 May 1985, Pepl and Pirchner, with Don Moye, played at the Ohio Theater in Soho at the festival “New Austria / New York”. The New York Times reviewed the festival on 18 May. On 25 March 1985 steirischer herbst (festival of contemporary art in Graz, Austria) had confirmed Pepl's participation by letter: a presentation of contemporary Austrian art marking the 40th anniversary of the liberation and the 30th anniversary of the State Treaty, with the Austrian Cultural Institute in New York and “The Kitchen” as producer. The festival “Beyond the Sound of Music. New Austria / New York” (15 to 19 May) was a showcase of contemporary Austrian art, and the trio opened it at 7.30 p.m., on the same evening as the sculptor Hartmut Skerbisch with his installation “Container” and the Viennese composer Otto M. Zykan with “Samples”. In the following days the Austrian writers H. C. Artmann, Wolfgang Bauer, Alfred Kolleritsch, Ingeborg Day and Jürg Laederach read, presented by the American novelists John Irving and Walter Abish; the New York composer and guitarist Rhys Chatham played with Blizz Frizz from Graz, alongside architecture, photography and film (Austrian Information, Vol. 38, No. 4, pp. 3 to 6).

    Concerts

  34. July 1985

    Jazzzwio with Don Moye in Bolzano

    Bolzano

    Concert by Werner Pirchner, the Austrian composer and vibraphonist, Harry Pepl and Don Moye at the Walther-Haus in Bolzano.

    Concerts

  35. 10 October 1985 to 23 October 1985

    Jazzzwio concerts in Graz and Kindberg

    Graz, Kindberg

    Kohler names 10 October 1985 in Graz and 23 October 1985 in Kindberg as the last verifiable concerts of the Jazzzwio. The archive of the steirischer herbst (festival of contemporary art in Styria, Austria) documents the evening in Kindberg on Wednesday, 23 October 1985, at the Gasthof Prettenthaler as a double concert with the Martin Wiederhofer Trio in the “Mürztaler Werkstatt” series, with Walter Schmocker and Robert Riegler among the performers. The archive does not list a concert on 10 October, but it does list a further Jazzzwio evening on 24 October in Graz. After that their paths parted, and Pirchner turned to composition. A live recording from Niš dated 28 October 1985 is chronologically later still.

    Concerts

  36. 17 October 1985

    Trio with Daniel Humair and Jean-François Jenny-Clark in Graz

    Graz

    On Thursday, 17 October 1985, Pepl plays at the Katholisches Studentenhaus Münzgraben, a Catholic student centre in Graz, Austria, in a trio with Daniel Humair and Jean-François Jenny-Clark, his partners from the Michel Portal Unit. At the same venue the drummer Humair shows his exhibition “Malerei und Grafik” (painting and graphic art); the evening is part of the steirischer herbst festival 1985.

    Concerts

  37. 24 October 1985

    Jazzzwio at the Münzgraben in Graz

    Graz

    On Thursday, 24 October 1985, one day after Kindberg, the Jazzzwio plays with an unnamed guest at the Katholisches Studentenhaus Münzgraben in Graz, Austria, in the “Open Spoons” series of the steirischer herbst festival, which in October 1985 also presented two concerts by Werner Pirchner, the Austrian composer and vibraphonist, and a conversation with the ECM founder Manfred Eicher. Kohler names 23 October in Kindberg as the last verifiable concert in Austria; the festival’s archive documents this later evening.

    Concerts

  38. 28 October 1985

    Naissus Jazz 85 in Niš

    Niš

    The Jazzzwio played live in the hall of the Niš Symphony Orchestra, Yugoslavia, together with Barry Altschul and Walter Schmocker. The piece “The Theme” was released in 1986 on a Diskos compilation.

    Concerts

  39. 7 March 1986

    Michel Portal at the Banlieues Bleues festival in Montreuil

    Montreuil, France

    At the 3rd Banlieues Bleues festival (jazz festival in the Seine-Saint-Denis département near Paris, France, since 1984), Michel Portal plays on Friday, 7 March 1986, in the Salle des fêtes of Montreuil with Jack DeJohnette, Mino Cinelu, Jean-François Jenny-Clark and Harry Pepl. This is how the festival's archive records it, and this is how the evening appeared in the concert listings of the Paris daily Le Monde (issue of 8 March 1986). According to the festival archive it is Pepl's only appearance at Banlieues Bleues between 1984 and 1990. The rehearsals on Wednesday, 5 March 1986, at the Paris club Jazz à Paris (13th arrondissement) were captured by the Magnum photographer Guy Le Querrec.

    Concerts

  40. 10 March 1986

    Michel Portal Unit: concert recording by Radio France

    On Monday, 10 March 1986, three days after Banlieues Bleues, Radio France, the French public radio, records a concert by the Michel Portal Unit: Michel Portal, Pepl, Jean-François Jenny-Clark, Mino Cinelu, Jack DeJohnette and the percussionist Jean Schwartz, 1 hour 48 minutes. The track list names Pepl’s “Radlbremser” with Portal’s “Pastor” and Pepl’s “Das Auge des Maulwurfs” with Portal’s “No Forte”, according to Daniel Pepl two pieces each, played in direct succession or segueing into each other, plus “Halley's Comet Light Blue Blues”. The record in the catalogue of the INA, the archive of French radio and television, does not name the venue.

    Concerts

  41. May 1986

    Air Mail at the Amiens jazz festival

    Amiens, France

    In May 1986 Air Mail plays at the 5th Festival international de jazz d'Amiens, the jazz festival of the Maison de la Culture d'Amiens, the town's arts centre (France), which ran from Tuesday 13 to Saturday 24 May. In Jazz Hot, the French jazz magazine founded in 1935, Franck Bergerot reviews the concert with Wolfgang Puschnig, Mike Richmond and Wolfgang Reisinger at the festival, then called “Le temps du jazz”, and hears “un Harry Pepl tout à fait inattendu”, an utterly unexpected Harry Pepl. A recording of just over 31 minutes survives in the family archive. The exact day is not yet documented. On Tuesday, 13 January 1987, FR3, the French regional television channel (today France 3), shows a programme with the British jazz big band Loose Tubes and Air Mail in its series “Le Temps du jazz”, recorded at the Maison de la Culture d'Amiens and including Pepl's “The Eye of the Groundhog”. The catalogue note of the INA (Institut national de l'audiovisuel, the French archive for radio and television) does not give the recording date; the recording probably comes from this festival.

    Concerts

  42. 10 May 1986

    Air Mail at Jazz sous les pommiers in Coutances

    Coutances, France

    On Saturday, 10 May 1986, Air Mail plays, at 9 p.m. according to the festival archive and at 10 p.m. according to Jazz Hot, at the theatre in Coutances (Normandy, France), on the closing night of the 5th Jazz sous les pommiers, the town's jazz festival (since 1982), with Wolfgang Puschnig, Mike Richmond and Wolfgang Reisinger. According to the festival's programme text it is the band's first concert in France; it introduces Pepl as “the new star of guitar-mad jazz fans”. The Eddy Louiss Big Band and Blue Lips play on the same evening. Alain Guerrini writes in Jazz Hot, the French jazz magazine founded in 1935, that he discovered “un groupe prodigieux” there, a prodigious group.

    Concerts

  43. 14 May 1986

    Air Mail at the New Morning, Paris

    Paris, France

    On Wednesday, 14 May 1986, Air Mail plays at the New Morning, a jazz club in Paris (France), with Wolfgang Puschnig (soprano saxophone), Mike Richmond (bass) and Wolfgang Reisinger (drums). It is a club concert on the band's French tour, four days after the festival in Coutances. The Paris concert paper “Tempo” of 15 April 1986 announced the evening as the “Harry Pepl quartet”. The INA (Institut national de l'audiovisuel, the French archive for radio and television) holds a concert recording of Air Mail by Radio France (France's public radio broadcaster), which it dates to the following day; whether it is the same concert remains open. According to the catalogue note, the band plays Pepl's “Mulwolf”, which his son Daniel Pepl identifies as “Das Auge des Maulwurfs” (Eye of the Groundhog), as well as “Light blue blues” (“Halley's Comet Light Blue Blues”) and “Bike breaker” (“Radlbremser”). Jazz Hot, the French jazz magazine founded in 1935, reports that on that Wednesday the American saxophonist Archie Shepp played at the New Morning, with the singer Dee Dee Bridgewater as a guest.

    Concerts

  44. 24 May 1986

    Air Mail in St. Gerold

    St. Gerold

    ORF Studio Vorarlberg (ORF: Austria's public broadcaster) recorded a concert by Air Mail in St. Gerold.

    Concerts

  45. June 1986

    Air Mail at the Neuwied jazz festival

    Neuwied, Germany

    In June 1986 Air Mail plays at the 9th Neuwied jazz festival (Rhineland-Palatinate, Germany). This is how it appears in the band's tour plan, printed by the Gemeindeblatt für den Bezirk Landeck, a local paper in Tyrol, and in the festival's programme overview on Wikipedia, which lists “Harry Pepl’s Airmail” alongside the Dave Holland Quintet, John McLaughlin's Mahavishnu Orchestra and the John Scofield Band. The day and venue are not yet documented.

    Concerts

  46. 19 June 1986

    Air Mail at the Hotel Sonne, Landeck

    Landeck, Austria

    On Thursday, 19 June 1986, Air Mail plays at 8.30 p.m. at the Hotel Sonne in Landeck (Tyrol, Austria), according to the announcement the last concert before the summer break, with Wolfgang Puschnig, Mike Richmond and Wolfgang Reisinger. The Gemeindeblatt für den Bezirk Landeck, a local paper delivered to every household in the district, announces the band as “one of the best contemporary quartets on the European jazz scene” and prints its tour plan for May and June 1986 with the festivals in Coutances, Amiens, Maur near Zurich and Neuwied.

    Concerts

  47. 26 September 1986

    Air Mail at the Bilsak Jazz Festival in Istanbul

    Istanbul, Turkey

    On Friday, 26 September 1986, Air Mail plays at 10 pm at the Şan Tiyatrosu (Şan Theatre) in Istanbul, Turkey, at the 2nd International Bilsak Jazz Festival (II. Uluslararası Bilsak Caz Festivali), with Wolfgang Puschnig (alto saxophone), Mike Richmond (double bass) and Wolfgang Reisinger (drums). According to its poster, the festival brought 33 foreign musicians in nine groups to Istanbul and then to Ankara, among them Albert Mangelsdorff and Hermeto Pascoal; whether Air Mail also played in Ankara is not documented. As early as June 1986 the Gemeindeblatt für den Bezirk Landeck, a local paper in Tyrol, Austria, had reported invitations to festivals in Istanbul, Ankara and Basel.

    Concerts

  48. 27 September 1986

    Rava/Saluzzi Quintet in Istanbul

    Istanbul, Turkey

    On Saturday, 27 September 1986, one evening after Air Mail, Pepl plays at the same festival at the Şan Tiyatrosu in Istanbul, Turkey, at 11 pm in the quintet of Dino Saluzzi and Enrico Rava, with Furio Di Castri (double bass) and Bruce Ditmas (drums). It is the earliest documented concert of the quintet with Pepl so far, before the recording of “Volver” in October 1986.

    Concerts

  49. 10 October 1986

    Rava/Saluzzi Quintet with the NDR Bigband

    Hamburg

    During the European tour, the quintet of Enrico Rava and Dino Saluzzi, with Harry Pepl, played together with the NDR Bigband (NDR: Norddeutscher Rundfunk, public broadcaster for northern Germany) at the Fabrik in Hamburg-Altona.

    Concerts

  50. 13 October 1986

    Rava/Saluzzi Quintet at “Jazz in Gütersloh”

    Gütersloh

    Concert at “Jazz in Gütersloh”, with Bob Moses instead of Bruce Ditmas on drums.

    Concerts

  51. 3 November 1986

    Rava/Saluzzi Quintet at the Festival de Jazz de Paris

    Paris, France

    On Monday, 3 November 1986, a few weeks after the recording of “Volver”, the quintet of Dino Saluzzi and Enrico Rava plays with Pepl, Furio Di Castri and Bruce Ditmas at the Festival de Jazz de Paris, France. Radio France, the French public radio, records the concert; the programme includes “Volver” and Pepl’s “More Far Out Than East”.

    Concerts

  52. May 1987

    Concerts and sessions in France

    Paris

    In spring 1987 Pepl played several concerts in France, including sessions with Jack DeJohnette and Dave Liebman in Paris. In April the Austria Presse Agentur had announced sessions with DeJohnette, Michel Portal and Mino Cinelu for May; in June it reported his successes and praise from John Abercrombie.

    Concerts

  53. 5 July 1987

    Air Mail at the Wiesen jazz festival

    Wiesen

    On Sunday, 5 July 1987, Air Mail was on the programme of the festival at the “Jazzianer-Fort” in Wiesen, Burgenland, on the same day as George Russell’s big band and the Johnny Griffin Quartet. The Austria Presse Agentur announced the band with „Österreichs erstem Gitarristen Harry Pepl“ [“Austria’s foremost guitarist Harry Pepl”].

    Concerts

  54. 16 April 1988

    Trio Pepl/Joos/Christensen at the Szene Wien

    Vienna

    On Saturday, 16 April, Pepl, Herbert Joos and Jon Christensen play at the Szene Wien, a Viennese venue for concerts, in Simmering, Vienna, Austria; the poster advertises the LP “Cracked Mirror” on ECM. The year is not on the poster; judging by the weekday and the following concerts in Linz (20 April) and Katsdorf, it was probably 1988.

    Concerts

  55. 20 April 1988

    Cracked Mirrors live at the Posthof Linz

    Linz

    Concert of the trio Pepl, Joos and Christensen. For the tour in spring 1988 the trio rehearsed at the family home in Hernstein, Lower Austria, Austria; Christensen stayed there as Pepl's guest for a considerable time.

    Concerts

  56. 22 April 1988

    Trio Pepl/Joos/Christensen at the Hotel Mader, Katsdorf

    Katsdorf

    Two days after the concert at the Posthof in Linz, the trio with Herbert Joos and Jon Christensen played at the Hotel Mader in Katsdorf.

    Concerts

  57. December 1988

    Joos, Pepl and Oxley at the Dieselstraße in Esslingen

    Esslingen am Neckar

    At the year-end concert of the series “Jazz in der Dieselstraße”, Pepl played with Herbert Joos and Tony Oxley at the Dieselstraße culture and communication centre in Esslingen; the Stuttgarter Zeitung and the Eßlinger Zeitung reviewed the concert.

    Concerts

  58. 10 December 1988 to 17 December 1988

    Austrian tour with Herbert Joos and Tony Oxley

    Austria

    The tour schedule lists Mödling, Wörgl, Nüziders, Klagenfurt, Graz and Mauterndorf. Tony Oxley replaced Jon Christensen, who was unavailable; an ORF (Austria's public broadcaster) recording exists of the concert in Tamsweg on 15 December.

    Concerts

  59. 15 December 1988

    Trio with Herbert Joos and Tony Oxley in Tamsweg

    Tamsweg

    On the Austrian tour, the ORF (Austria's public broadcaster) recorded the concert of Harry Pepl, Herbert Joos and Tony Oxley in Tamsweg; Ö1 (the ORF's cultural radio channel) broadcast the archive find in its Jazznacht in 2015.

    Concerts

  60. 1989

    Cracked Mirrors at the Stadtgarten in Cologne

    Cologne

    The trio with Herbert Joos and Jon Christensen played at the Stadtgarten in Cologne (Cologne venue for jazz and new music), and television recorded the concert.

    Concerts

  61. 12 March 1989

    Spring jazz festival at the Kurhalle Oberlaa

    Vienna

    At the spring jazz festival in the Kurhalle Wien-Oberlaa on Sunday, 12 March 1989, the line-up announced, alongside Carla Bley and Steve Swallow and The Leaders, Wolfgang Puschnig’s projects with Harry Pepl, Hans Koller, the Austrian saxophonist and pioneer of European jazz, and Linda Sharrock.

    Concerts